Ellie Greenwich – Don't Gel Too Soon

For Ellie Greenwich, Who Really WAS Leader of the Pack, With Thanks

When our kids were little, we used to sing. All the time. And early on, many of the songs they loved were written by this woman: Ellie Greenwich. She was a tough cookie I think. She was also one of the great song writers of her generation. Ever heard Be My Baby? (“Bee my, bee my bay bee, my one and only baybee…”) Chapel of Love? (“Goin’ to the Cha pull and we’re gonna’ get ma a a reed”) River Deep, Mountain High ?(“Do I love you my oh my, river deep, mountain high” that was Tina Turner.) Ever hear of girl groups? Then you’ve heard of Ellie Greenwich. There’s a reason she’s in the Song Writers Hall of Fame. She died August 26, the same day as Senator Kennedy, so I’m a little late, but I have a lot to thank her for.

Freshman year we lived in a dorm with a big porch facing Seelye Hall, the main classroom building. We’d put our stereo speakers in the windows over the porch and blasted whatever we liked at the time, especially in the spring, as the snow melted and spirits rose. One of our classics was “Leader of the Pack.” All of us, the Gang of Four as we were then, could re relied upon, for no reason, to belt out “Hey there, where’d you meet him?” to which another would reply (in song, of course, and I know you know this) “I met him at the candy stoh – ore.” It sounds so silly, doesn’t it? But it wasn’t.

The tribal music Greenwich gave us was alive with the spirit that was all of us, before the War tore everything apart, when we just had fun and our minds were full of ideas and ambitions, and songs, and romantic daydreams, and songs, and learning how to be grown ups (slowly) and songs. And her songs were so universal, so full of a love of living and living for love – way before we even heard of our sister alums Gloria Steinem and Betty Friedan. Somehow, as things became more serious, Doo Wa Diddy Diddy Dum Diddy Doo didn’t flow off the tongue so easily. That’s why I was so glad when a Broadway musical, Leader of the Pack, opened in the 80’s and gave us another chance – and a great cast album, full of many of her greatest songs.

My own favorite is all tangled up in a memory. It was a sunny fall day and my six-year-old and I were walking down a street someplace in the Village. And we were arm-in-arm. And our walk had a rhythm – right feet at the same time, left feet at the same time, just the two of us. And the rhythm? It came because, together, crossing the nearly 30 years between us, together, we were singing –Da Doo Ron Ron.”

Not quite this great, but not bad, either. So thanks Ellie. And the rest of you – see for yourselves.

SAD MUSIC, GREAT BIG SEA, STONE PONIES, BEATLES – RIDING THE WAYBACK MACHINE

Have you ever heard a song that caught you up short and brought you almost to tears? Boston to St. John — sung by Great Big Sea, does that to me, no matter how many times I hear it. In fact, when we pass over St. John on the way to Europe and it shows up on the map on the little TV, I get weepy just hearing it in my head. What is it about this romantic, acoustic song accompanied by a pipe and a guitar? Just listen (this one has lyrics posted) – it’s a nice thing to end the week with.

I don’t think I’ll ever get over the wonder of what music has come to mean to me, again. Of course I was a typical teen fan, and then in my college years obsessed with Bob Dylan, the Beatles, The Doors, Cream, anything by Ellie Greenwich, anything from Motown, Linda Ronstadt (especially the Stone Ponies phase) – listen to this primo girl song:

I also loved the great folkies like Pete Seeger, Arlo Guthrie, Phil Ochs, Judy Collins, Joan Baez ( oh – and Peter, Paul and Mary (need I go on?) and Simon and Garfunkel — among others. Then I went into semi-retirement. I made mix tapes for my kids – Good Day Sunshine, Hippy Hippy Shake, Here Comes the Sun, the Garden Song, Carolina… you name it. And we sang a lot. But the deep, gut-wrenching feeling you get when the music drills right to the center of your soul — that all came back more recently. And differently. Once, my Deadhead son asked me why I had never gone to one of their concerts. The answer was peculiar, I guess. I heard all my music for free at marches. And peace rallies. Who needed to buy tickets?

The music was, literally, the soundtrack to my life. Every song I hear pulls a movie into my head — me on a bus to Manhattan for a march, in a boat on Paradise Pond with my boyfriend, dancing like crazy someplace or other. Now, though, the music seems to bring the mood to me, rather than meeting it half way. I can be moved from zero to 60 – solid to weepy – in about one chorus. Maybe it’s the passage of time. Maybe it’s that I hear far more of it alone. Maybe it’s just that much of what I listen to evokes other times in my life. Today, driving home, I had my iPod plugged into the car radio, on random shuffle, and Pete Seeger singing All My Life’s a Circle did it. Again.

Of course, anything from the Juno soundtrack just makes me laugh. And lots of Bruce just makes me want to dance. It’s not all sad stuff. I guess I should try to figure it out, but I’d rather just think I’m newly available, or RE-newly available, to those feelings. And be grateful for the music that brings them.