Robert Altman‘s Nashville is a perfect movie. This very sexy song from the film, written and performed by Keith Carradine (currently playing Madame Secretary‘s (CBS) boss, the President of the United States) won the best original song Oscar in 1976.*
He is singing to Lily Tomlin, who plays a white gospel singer with two deaf children; despite her marriage, she is as isolated as the metaphor suggests. Their attraction is clear and heady: as he addresses his performance to her it’s clear they will find a time – just once – to be together. It’s a lovely moment in a harsh story.
The film is political, angry and brilliant. It would be remarkably relevant today; you could say the demagoguery and tea-party-like characters were “ripped from the headlines” if the film weren’t 40 years old. See for yourself; in addition to a wonderful film, you’ll get to see Carradine and Tomlin knock your socks off.
*This iconic 1979 winner from Norma Rae , “It Goes Like It Goes”, never really got the attention it deserved either – and in some ways they’re so similar.
Have you seen this movie? I sat in bed watching it early Sunday morning on cable and was just blown away. It’s one of the saddest, scariest, most moving American documentaries I’ve seen in a long time. That’s no surprise, since it was directed by Barbara Kopple, who made Harlan County USA – the landmark documentary about coal mine union battles in Kentucky.
What happened to the Dixie Chicks is infuriating: performing in London just before the start of the Iraq war, lead singer Natalie Maines (married, by the way, to HEROES star Adrian Pasdar,) told the crowd "Just so you know, we’re ashamed the President of the United States is from Texas." The scene is included in this preview.
As I watched the film, seeing the rage and cruelty that emerged in the response to this one sentence, my first thought was, "Oh my God, what does this mean for Barack Obama?" The people who went after the Dixie chicks were nowhere near a sense of respect for the First Amendment – and sounded like they would be particularly vulnerable to "elitist" or racist accusations against a candidate. If you remember the exit polls in West Virginia, Ohio and Pennsylvania you’ll recall that many respondents just about acknowledged that they would not vote for Senator Obama simply because of his race. Am I unfair to wonder if many of those people are the same ones booing and even threatening Maines’ life? Still "out there" in larger numbers than we wish? Look at these figures:
In Pennsylvania
exit polls on primary day, 14% of voters
said that race one one of several important factors. Fifty-five percent of those were Clinton
voters and 45% Obama voters. When asked
race was “important” 19% said yes – 59% of them Clinton voters; when asked if
race was a factor in their decision, 12% said yes. In this group, 76% were white Clinton voters.
In West
Virginia, when asked race was “important” to their decision, 22% said yes –82%
of them Clinton voters; when asked if race was a factor in their decision, 21%
said yes. In this group, 84% were white
Clinton voters.
Finally, Ohio. There, when asked race was “important” to
their decision, 20% said yes– 59% of them Clinton voters; when asked if race
was a factor in their decision, 14% said yes. In this group, 59% were Clinton voters. (the racial breakdown was not available here.)
Please understand – I don’t know if I’m right. I’m not alleging racial bias in all those who rose up to burn Dixie Chicks CDs and threaten country stations with boycotts if they "ever played one of their songs again" – but I do suspect they could be more vulnerable to campaigns run in an uglier vein – just as they responded to this one. It’s worrying me.
