So Long Mr. Salinger, and Thanks

Salinger book  All I wanted when I was a kid was to be Franny Glass.  To be part of the Glass family, intellectual, quirky, and with lists of beautiful quotes on a poster board on the back of their bedroom door.  They were sad and weird and wonderful.

And now, today, we lose their creator, most beloved for Holden Caulfield, the eternally adolescent hero of Catcher in the Rye.  Holden is worthy of every affectionate word written about him, and his palpable pain is familiar to those who’ve journeyed through the teen years, but the Glasses — well  — they were a different kind of lovely.

They are all the children of one man, and he died today.  I wish I could tell you what it felt like to read Catcher in the Rye at 13.  I can remember where I was sitting as I read it – how I felt – and the deep sadness that accompanied Holden’s story.   It must have been traumatic though, because later, when my son and I read it together, I was shocked to learn that Holden’s brother had died.  I had jammed that fact someplace hard to reach, which means it was even more disturbing than I remember.  Reading it with my own child was a beautiful experience to share with a young man of deep compassion and great sensibility – a memory I cherish.  So Salinger gave me that, too.

(I’m not mentioning Joyce Maynard here.  She had a right – but sheesh!)  And I really don’t have much to say about the quiet recluse in the hills of New Hampshire.    Farewell to him, yes, but also to yet another connection to the days when I was young – and more like Holden than like women of a Certain Age.  The passions, the pain, the poetic anger at people for not being what we expect them to be and the desperate longing to rescue the imperiled and the lost.

Anyway,
I keep picturing all these little kids playing some game in this big field of
rye and all.  Thousands of little kids, and nobody’s around – nobody big,
I mean – except me.  And I’m standing on the edge of some crazy
cliff.  What I have to do, I have to catch everybody if they start to go
over the cliff – I mean if they’re running and they don’t look where they’re
going I have to come out from somewhere and <span>catch</span> them.  That’s all I do all day.  I’d just be the
catcher in the rye and all.  I know it’s crazy, but that’s the only thing
I’d really like to be.”

I guess those who don’t dream of being the catcher long
to be the one who is caught.  And those longings don’t go away whether you’re 13 or
63 (right – I first read it FIFTY years ago!)  Imagine.  No, it
doesn’t go away, but your perspective changes.  The loveliness of that
kind of protecting — or being protected – it isn’t around much in the real
world.  All the more reason to be grateful for the rare observer who can remind us of its sweetness, and of what we are capable of aspiring to.

And grateful I am.  For Franny and Zooey and Seymour and all their craziness and for Holden, what he gave me then, and what I remember, even today.

BOOK BANNING: THIS IS NOT (EXACTLY) ABOUT SARAH PALIN

Nazi_book_burning
You know this photo:  Nazis burning books in Babelplatz, a large public square across from Humboldt University in the heart of Berlin.  Germany was a highly cultured society, yet it wasn’t too difficult to get to the place where its students willingly burned the books they were to supposed to be studying if they had been written by Jews. 

Ulysses1
The U.S. wasn’t immune in those years either. In the 1930s there were huge battles about James Joyce’s classic Ulysses, a gorgeous and very moving book but so difficult to understand that I took an entire college course on it. Hard to believe that anyone would bother working through it for any but literary reasons.  Even so, copy after copy was seized from trans-Atlantic passengers arriving on ocean liners in Manhattan.  Finally, in 1932, after an edition of the book intended as a model for U.S. publication had been seized along with the others, Judge John M. Woolsey lifted the ban in a famous, highly cited opinion* that appears as a preface in many editions.  There are many such stories, about many books, but most of them well before the 1960s.  After that, it seemed we’d "grown out of" book banning.  Wrong.

Catcher_a
I read Catcher in the Rye in the 7th grade.  Years later I had the privilege of reading it aloud with my own  son at precisely the same age.  Nearly 20 years apart, we both loved it.  Yet efforts to ban it in both school and community libraries have gone on almost as long as the life of the book itself.  BlogHer and book blogger SassyMonkey, in a detailed BlogHer post, reminded us that Banned Books Week is here (September 27 to October 4, 2008).  The American Library Association created this week in 1982, and sadly, we still need it today.  Sarah Palin was not the first, nor will she be the last, government official to fire a librarian after a discussion about removing books from library shelves.  There’s a long history of such behavior, and other, more overt attempts, both here and around the world.

Try to imagine a time where you had to hide the books you love.  Or where you couldn’t get Harry Potter  from the library to re-live the Hogwarts adventure with your own children.  Or you couldn’t get access to published health information from books like Our Bodies, Ourselves.
Imagine no Huck Finn, no Maya Angelou or Toni Morrison or John
Steinbeck or — and this is a biggie in the book banning world, no Judy
Blume.  Right now there are community and school librarians risking
their careers to fight to protect their shelves from marauding
moralists.  Right now.

Continue reading BOOK BANNING: THIS IS NOT (EXACTLY) ABOUT SARAH PALIN

THE PLACE TO BE: ROGER MUDD’S NEW BOOK AND SO MANY MEMORIES

Roger_mudd_book
In 1968, when I was working in the McCarthy Campaign against the Vietnam War, one of the producers traveling with the campaign asked me to come work with her at the CBS News Washington Bureau when the campaign ended.  I was thrilled.  I had, however, no idea how thrilled I really should be. Imagine a 21-year-old, just out of college and the trauma of the riots in Chicago and McCarthy’s loss of the Democratic nomination (yes, we knew it would happen, but not in our hearts), walking through the door of 2020 M St. NW – the august CBS News Washington Bureau — (Walter Cronkite‘s Washington Bureau!) because I had a job there.

Working there when I showed up: Bruce Morton, Bob Schieffer, George Herman, Daniel Schorr, Eric Sevareid, Dan Rather, Marvin Kalb and his brother Bernie... and my mentor and friend Roger Mudd.  They were, really, giants (yes, I know they were all men.  Marya McLaughlin died a long time ago; Leslie Stahl arrived a couple of years later).  CBS News ruled the Hill and the White House and everywhere else inside the beltway.  And we did it with enormous scruples; I was trained to be a journalist by these guys, as well as Bureau Chief Bill Small and Face the Nation Producer Sylvia Westerman.  And have been grateful the rest of my life for the privilege.

Roger wrote a book about those years — it’s called The Place to Be because, really, that’s what the bureau was in those days.  And last night, on publication day, there was a party. It was better than a class reunion.  Everyone from the teen-aged desk assistant (now I think in his 40s) to the Washington director  to the octogenarian make-up lady, to those guys we’ve all heard of, were there.  All having a blast remembering those remarkable years.

I’ve been out of the daily news business for some time, and in a way the party reminded me why.  The classy, funny, unpretentious, smart, great people who taught me how to listen and pay attention, ask questions and check my sources, feed the crew first and never leave a person without getting their phone number… I hate to sound like an old fogey but there really aren’t so many like that any more.  For me, Roger is the dean of all of them, not only because I know him best but also because of his deep sense of honor and love of history, humor, curiosity and devotion to his family, and his unfailing kindness and generosity to me.  It was wonderful to hear everyone so happy and proud for him, glad he’d finally written down some of the historic understanding and institutional memory we all treasure. 

I suppose it’s the same when anyone we love finds special success – a promotion, a graduation, a painting or a no-hitter, for that matter.  But because of what’s become of the news business, because it’s now so much more business than news, because of the great joy and pride we felt and how hard we worked to earn the right to feel it, I felt a special warmth and longing last night: grateful for the opportunity I had to share what is universally regarded as a golden moment in journalism – those years in the Washington Bureau — and so very sorry that it’s so hard to find that gold – any gold — anymore.

BACK TO MANDERLAY WITH REBECCA AND JANE EYRE

Rebecca_poster OK so this movie was made in 1940 — way before I was even born!  I read the book in 9th or 10th grade and saw the movie a couple of times late a night and probably with my sisters, pretzels and mustard.  And commercials.  Even so it had a profound effect on me then – and, apparently, now.

It’s on TCM — I usually have the TV on when I’m working.  But I keep having to go back and forth between Rebecca and Angel – ANgel for God’s sake! — because it’s just about unbearable.  This poor girl (she doesn’t even get a name – just "the second Mrs. deWinter) is a mouse – pathetic and scared.  Everything she does is a mistake.  Right now she’s begging her new husband for a costume ball like the ones Rebecca used to hold — I had to turn it off.  I know she’s going to wear Rebecca’s costume — know what will happen – and I, of course, unlike Joan Fontaine, know the truth about the witchy, Rebecca herself.  I can still see the flames — oh but I don’t want to tell you the ending — maybe you’ll see it yourself some day with your stomach in your mouth in mortification for this poor girl.

Jane_eyre_wellesAs I was writing this I realized that there’s another romantic tale — from a Bronte 100 years earlier – where the ending involves a fire; it’s another book I loved – made into a film – Jane EyreWikipedia says there were 5 silent film versions and have been 10 film versions (they count Rebecca in that – apparently it was a "tribute" based on Jane Eyre so I guess this comparison isn’t very original, alas) and 7 TV versions. Another mousy dreamer – another poor girl making her own way (maybe with more of a spine though), another strong, angry man with a deep painful secret.  How embarrassing that I still love both stories – remember where I sat when I first read each book and can’t quite avoid either film when it pops up on TV. 

Rebecca may not have – as Maxim deWinter so desperately feared – "won in the end" but her successor – and Jane – won my heart long ago and I guess there’s no point in fighting it.  Always, always, the phrase "last night I dreamed I went to Manderlay again" will strike images and memories of my days as a dreamy girl whose literary journeys to great but unhappy mansions and great but horribly haunted love affairs were such perfect gifts.

You’re It!

SO my friend Liza tagged me with the following: 

Find the nearest book.
Name the author & title.
Turn to page 123.
Post sentences 6-8.
Tag three more people.

Here’s what turned up: 

Naked_conversations Robert Scoble and Shel Israel’s Naked Conversations. "He advises those who will listen: "If a blogger has enough passion, the blog becomes the central place on the Internet for that topic.  Companies understand the importance of Google but they don’t yet get how blogging fits in.  If the corporation doesn’t do this for themselves, then someone else will." 

I’m reading the book because a client suggested it; I’m usually more fiction/politics but I have to admit it’s pretty interesting.  Scoble is a big friend of BlogHer.  He was at last year’s convention.

And I tag Liz, Ronnie and Cooper.  Post here or on your own blog.

DEEP IN A DREAM: THE RED TENT

Redtent While I was in Jerusalem I went several times to Pardes Institute, a remarkable school to study the Bible, Talmud and commentaries.  My husband and I love to study while we’re visiting places; it all seems so much more real – and sinks in more, too.  We were there during the week that the story of the rape of Dinah is read on Shabbat.  It’s pretty profound and provocative and a wonderful teacher named Rabbi Reuven Grodner taught the class.  We were transfixed: the story of the vengeful brothers and their far from vengeful father Jacob is troubling to anyone – but particularly to women.

I remembered that The Red Tent was written in Dinah’s voice, so I decided to read it.  I had tried once before but it seemed too overwrought and almost overwritten then.  Now though, I find myself more interested in the stories in the Torah — the universality of Bible stories and all they represent — so I stuck it in my suitcase — and once we’d studied the Genesis story of Dinah I pulled it out.

Virgin_suicides_1 It’s really quite an experience — almost a fever, like The Virgin Suicides.  The sisterhood and love among women, the pain of childbirth, the rivalry and particularly the remarkable power author Anita Diamant provides to each of the main characters — is thrilling.

There’s a kind of Biblical interpretation called a Midrash and those that I, as a beginner, have read, are all pretty male-oriented.  This book is one big women’s perspective/Midrash full of love, passion, pain, loss, love, birth, death, misery, joy and poetry.  Much of it does NOT appear in the Bible but that’s true of the old Midrashim as well.  I can’t stop thinking about the women of this book, their lives and stories.  I came to love them and their stories — so very very different from the ones the conventional Bible stories tell.

GOOGLE ME THIS

ThesearchI worked for Excite when it was a brand new search engine. The idea was to write 20 word descriptions of every site and differentiate Excite as the search engine with quality descriptions to help guide the searcher. I wanted to learn about the Internet (it was around 1995 – near the beginning of search) and they were paying $5/review. It was a blast. Why am I telling you this?

I just finished a book called THE SEARCH: How Google and Its Rivals Rewrote the Rules of Business and Transformed Our Culture, by John Battelle, who is a remarkable pioneer – one of the founders of WIRED, the late INDUSTRY STANDARD and blog advertising syndicator Federated Media Publishing, Inc. among others.

As the title suggests, it’s about considerably more than the brilliant and turbulent birth and ascent of Google. Battelle makes the very good case that the rise of search as a web application was essential to more than the future of the Internet as the universal tool that it is. In addition, says Battelle, “Search is no longer a stand-alone application, as useful but impersonal tool for finding something on a new medium called the World Wide Web. Increasingly, search is our mechanism for how we understand ourselves, our world, and our place within it. It’s how we navigate the one infinite resource that drives human culture: knowledge.”

In other words, search is changing us, our culture and our world. It’s a very exciting examination of something that’s become so automatic and familiar that it’s easy to forget just how transforming a force it is. The book is out in paperback and if you’re a web rat like me, you’ll really enjoy it.

WONDERFUL WILLIAM STYRON

Styron

In 1968 I was a volunteer in the Eugene McCarthy anti-war presidential campaign.  Most of the time I took care of the press, riding on the press bus and handling logistics for filing stories and getting to the plane on time.  Frequently, when celebrities were campaigning with the Senator they’d ride for a while on the press bus, so I got to meet some pretty amazing people, from Robert Lowell to Tony Randall to William Styron, who died this week.

Nat_turner_1I had just read The Confessions of Nat Turner, his 1967 Pulitzer Prize-winning book about a slave revolt in Virginia in 1831, which I had loved.  I knew of his close friendship with James Baldwin, whom I really admired, and imagined that the book was written partly as a cry for justice for his friend and other black Americans. (OK I was 20, what do you want?)  I sat down beside him on the bus and was able to let him know how much I admired him and his work.

The next day, literally, there was a horrible piece about the book and Styron’s “racism” in some lefty publication (can’t remember which one)  He walked down the aisle of the bus and dropped it in my lap – “see — see what they’re doing to me?” he said sadly.  I have never forgotten that day – the punishment he took for imagining the rage and longing for justice on the part of a charismatic slave — and the sweetness of the man himself.  Only later did I learn of his battles with depression.  I don’t know if it’s true that one must suffer for one’s art, but he certainly did.

Of course, people know him better for Sophie’s Choice and the Meryl Streep film — again about the unimaginable persecution of a minority.  I guess it’s no accident that his wife Rose was so closely tied to Amnesty International for so long.

Anyway I am thinking of him today — of his deep moral sense so well communicated in his work – and of the amazing privilege of knowing him, if only for a little while.

WHOSE LIFE IS IT, ANYWAY?

At BlogHer there was a great debate among the “mommy bloggers” about how much to reveal about one’s children.  Much of what was best in my career (as well as, of course, my private life) came from my kids – literally.  They’re why I finally wrote a book [for kids.] They’re why I got interested in kids’ books and began writing book reviews for the New York Times and Washington Post and eventually served as early children’s book editor at Amazon.  They’re the reason I did some of my best TV pieces – about kids learning to ski, learning disabilities, etc.  You get the idea.  BUT

Once they were over 7 or so I always asked before I mentioned them in anything I wrote.  I kind of felt that it was my gig and they had their own lives.  Now this is a problem.  Michael Chabon says:

“Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth.

He’s right I think – I can feel myself hanging back when those “other people’s secrets” begin to emerge — and if affects my writing.  It’s true even of the most innocent things: something really lovely was said to me this week by one of my kids but it would expose HIM and I can’t do it.
Granted, most moms who blog have far younger kids than my adult sons but it’s an interesting question.  Any thoughts?

Whatever we think about this though it gave me an excuse to share one of my favorite Michael Chabon quotes. (of very very many…)