PETE SEEGER, JOE HILL, MUSIC, VALUES , PAST AND FUTURE

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I once had the opportunity to interview BB King.  In preparation, I brought his latest album home and played it for my sons.  The older, then around 5, asked me "Why is this man named King mommy.  Pete Seeger is the king of music, right?*"  Well, how do you answer that?  Our boys grew up on the Weavers, the Almanac Singers, Pete and Arlo at Carnegie Hall… all rich with wonderful songs (with pretty wonderful values) for children.  I asked my husband, no folkie, why he didn’t complain about the "noise" – and in fact joined us every Thanksgiving at Carnegie Hall to hear Pete and later Pete and Arlo. He said (I’m paraphrasing here)  "It’s offering them something whole to believe in.  Even if they don’t always believe it – they’ll understand the feeling of believing – and always seek it."  As far as I can tell, that worked. 

Rerack a few years though — to the Vietnam war, when songs like this informed some of my earliest political ideas.   

In fact, Pete has been a hero of mine for more than 40 years (How is that possible?)  As I sit watching the AMERICAN MASTERS documentary on his life, I can’t stop thinking about all the hope, idealism and dreams tied up in his music – at least in my life — and, for a time, the lives of my sons.  Seeger always has believed that music has infinite power; his own music made us believe that we could bring about the world we dreamed of.  I’m embarassed by how much I long for those feelings; it’s probably one reason Barack Obama and his young supporters interest me so much –  they remind me of…. ME.  Pretty feeble, isn’t it?  To still be whining about long-lost days and dreams.  Most of all, to feel such rage and sadness at what we weren’t able to do for our children; we leave them a world, in many ways, so much tougher than the one we inherited. 

Pete, though, would hate such talk.  I once met him, around the time that there were civil rights battles raging in the old Chicago Back of the Yards neighborhoods that Saul Alinsky helped to organize.  I asked him if it didn’t bother him that the residents there revealed attitudes so contrary to what had been fought for — for them — just a generation ago.  His response "No.  When people are empowered they have the right to want what they want.  If we believe in empowerment we have to accept that too."  NOT a usual man, Mr. Seeger.

The music was more than a transmission of values though — from "A Hole in My Bucket" to Union Maid.  It was our family soundtrack.  One of my kids was watching WOODSTOCK while he was in college, and was astonished to hear Joan Baez singing Joe Hill – and to recognize it from when he was little (this is a bad YOUTUBE version; the proportions are off, but just listen..

In our house, that old labor song had been a lullaby.  I’d learned it from Pete’s concerts. Recently, so many years from those lullabies, another family favorite presented us with a great, rolicking tribute to this remarkable man.  I wanted to end with a more of this (way too) sentimental tribute to Pete, but the joy of watching another generation up out of their seats in song is probably a better way to end.  Right?

*He went on to become an enormous BB King (and Albert, for that matter) fan, for the record.

SAD MUSIC, GREAT BIG SEA, STONE PONIES, BEATLES – RIDING THE WAYBACK MACHINE

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Have you ever heard a song that caught you up short and brought you almost to tears?  Boston to St. John — sung by Great Big Sea, does that to me, no matter how many times I hear it.  In fact, when we pass over St. John on the way to Europe and it shows up on the map on the little TV, I get weepy just hearing it in my head.  What is it about this romantic, acoustic song accompanied by a pipe and a guitar?  Just listen (this one has lyrics posted) – it’s a nice thing to end the week with.

I don’t think I’ll ever get over the wonder of what music has come to mean to me, again.  Of course I was a typical teen fan, and then in my college years obsessed with Bob Dylan, the Beatles, The Doors, Cream, anything by Ellie Greenwich, anything from Motown, Linda Ronstadt (especially the Stone Ponies phase) – listen to this primo girl song:

I also loved the great folkies like Pete Seeger, Arlo Guthrie, Phil Ochs, Judy Collins, Joan Baez ( oh – and Peter, Paul and Mary (need I go on?) and Simon and Garfunkel — among others.  Then I went into semi-retirement.  I made mix tapes for my kids – Good Day Sunshine, Hippy Hippy Shake, Here Comes the Sun, the Garden Song, Carolina… you name it.  And we sang a lot.  But the deep, gut-wrenching feeling you get when the music drills right to the center of your soul — that all came back more recently.  And differently.  Once, my Deadhead son asked me why I had never gone to one of their concerts.  The answer was peculiar, I guess.  I heard all my music for free at marches.  And peace rallies.  Who needed to buy tickets? 

The music was, literally, the soundtrack to my life.  Every song I hear pulls a movie into my head — me on a bus to Manhattan for a march, in a boat on Paradise Pond with my boyfriend, dancing like crazy someplace or other.  Now, though, the music seems to bring the mood to me, rather than meeting it half way.  I can be moved from zero to 60 – solid to weepy – in about one chorus.  Maybe it’s the passage of time.  Maybe it’s that I hear far more of it alone.  Maybe it’s just that much of what I listen to evokes other times in my life.  Today, driving home, I had my iPod plugged into the car radio, on random shuffle, and Pete Seeger singing All My Life’s a Circle did it. Again. 

Of course, anything from the Juno soundtrack just makes me laugh.  And lots of Bruce just makes me want to dance.  It’s not all sad stuff.  I guess I should try to figure it out, but I’d rather just think I’m newly available, or RE-newly available, to those feelings.  And be grateful for the music that brings them.