Donald Trump is important. Maybe he’s channeling Huey Long, maybe Lonesome Rhodes, maybe just “the Donald,” but despite his xenophobia and thinly veiled racist take on immigrants, he has spun a new American dream and captured those who have been without one for a long time.
Despite those excluded, whom Ta-Nehesi Coates describes so well, the belief that the dream exists is a gigantic part of the American story even though, for many, it’s faded from view. Today, in the shadow of the attacks in Paris, I wonder whether his message will thrive or wither in the face of such horror and fear.
With all that in mind, what does Trump have to do with John Valjean? What did the story mean to Jack Kemp (there’s a new biography ) and Teddy Kennedy (there’s a new book about him, too) both of whom, from opposite parties and ideologies, saw Les Miz multiple times? Can what spoke to them teach or maybe comfort us as we recoil from another bloody revolution in the streets of Paris? Tell me that this* is not what they – and we – are feeling today.
This little boy is now a father, but when he was six, we took him, along with his brother, to see Les Miz. At the end, he dissolved in my lap in tears, a wise child who understood, as so many do, especiallu today, what we may have lost and must struggle to recover? Listen and then, you decide.
*When Les Miz opened in New York, both Teddy Kennedy and Jack Kemp saw it multiple times. It might have been about a revolution, but it was everyone’s revolution:
Do you hear the people sing?
Singing a song of angry men?
It is the music of a people
Who will not be slaves again!
When the beating of your heart
Echoes the beating of the drums
There is a life about to start
When tomorrow comes!
Will you join in our crusade?
Who will be strong and stand with me?
Beyond the barricade
Is there a world you long to see?
Then join in the fight that will give you
The right to be free!
Like most of us, I don’t think I’ve felt like this since 9/11, although Paris may feel scary in a different way because the scope and savvy of ISIS makes Al Qaeda look primitive in comparison.
I spend hours on the Web every day, and probably understand the reach, creativity and strategic smarts of ISIS outreach more than most of my peers. It’s kind of amazing that people committed to such a regressive lifestyle are so adept at using modern methods to build it. They’ve been using Twitter, Whatsapp and other basic tools for some time but even though I raised two gamers, it never occurred to me until I heard it this morning that online game consoles are great, almost invisible, ISIS communication tools.
There have been hints though, in our popular culture. Portraits of these tactics have appeared in TV shows as disparate in audience as NCIS and The Good Wife: plots about the online recruiting American teenagers for homegrown violence and about exploiting western commitment to privacy and free speech and thought, as well as the seemingly insurmountable gap between the world that nurtures these terrorists and the world we have tried to create for our own kids.
Of course, that dissonance means nothing if your goal is to return us all to a particularly fierce, and very old, version of holiness. It’s so sad to note, too, that our wonderful technology is once again taking us away from all we’d hope it would be.
Cate Blanchett as Producer Mary Mapes, Robert Redford as Dan RatherRachel McAdams, Michael Keaton, Mark Ruffalo, Lev Schreiver, and Brian D’arcy James as the Pulitzer Prize winning Boston Globe team
The ultimate goal of every great reporter is to find a terrific story that nobody else has, and report it. Right now, released almost simultaneously, are not one, but two movies about journalism and how it works. In one, eagerness to tell the tale combined with politics to destroy the story, and several stellar careers. In the other, universal caution and the power of the establishment combined in efforts to do the same. Based on true stories,Truth and Spotlight portray, with fierce and sometimes heartbreaking commitment, the professional, ethical and political challenges every good reporter faces.
Each features a wonderful cast: in Spotlight, Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, and Stanley Tucci; in Truth, Cate Blanchett, Robert Redford, Topher Grace, Dennis Quaid, Elizabeth Moss, Bruce Greenwood and Stacy Keach. They’re all great.
Both stories beautifully illustrate the adventure, pain, excitement, drudgery and teamwork required in the service of a seriously reported story. Although Spotlight is a far better film, the familiar TV-ness of Truth, as Dan Rather and his 60 Minutes production team, pursue the “George W. Bush Went AWOL from the National Guard” story made it particularly heartbreaking for me. I emerged agitated and halfway out of breath.
It’s was just so sad to witness great work sidelined not by corporate politics or even overt censorship but by small decisions made in service of a great story and a tight deadline. All good journalists understand the importance of this: “If you don’t have time to check one more way, or listen to the person who still has reservations, the story shouldn’t air; if it’s about the President of the United States, even airtight isn’t good enough.” Eager to get on the air and armed with several good pieces of evidence, Mapes insisted the story was ready though – and so it aired.
In this case, although the story was never proven to be false, challenges to errors or lack of clarity in several small details (which were indeed careless or at least a product of selective listening) provided enough ammunition to cost both Rather and Mapes their jobs. In each case the removal was deeply humiliating. Knowing what was coming, it was agony to witness, especially when the entire editorial process was so familiar and the problem elements stood out so clearly.
Spotlight, again drawn from a true story, followed reporters uncovering the child sex abuse scandal in the Catholic Church, revealed by the Boston Globe’s investigative unit the “Spotlight” team at the Boston Globe. In this case, the adversary wasn’t the White House and all the weapons at its disposal, Rather, it was one of the few institutions with more power: the Catholic Church and its hold over Boston and the Globe, whose readers were 56% Catholic as were much of the editorial staff.
Piece by piece, through roadblocks and threats, the team pulled the story of the abusive priests together, with victims on the record, only to be confronted by their new editor, who wasn’t satisfied that this information alone would bring change:
Show me that the church manipulated the system so that these guys wouldn’t have to face charges. Show me they put those same priests back into parishes time and time again. Show me this was systemic, that came from the top down.”
So they did. And their story rocked the Church worldwide. Literally.
To arrive there though, team members had to deal not only with the pain of the victims and horror of the story but also with their own relationships with the Church. That wasn’t just deep connection or lapsed faith, but also an emotional and spiritual system internalized by these longtime-Boston journalists as they grew up their very Catholic hometown.
In this case though, a combination of fierce commitment and great editorial guidance allowed them to resolve any questions that might arise before their initial story ran. They ended up writing hundreds. And won the Pulitzer Prize.
So. Two news movies. Both worth the time and money it will take to see them. Together they bring us perfect lessons: this is what happens when newsgathering doesn’t live up to the tough standards required of the profession, and these are the remarkable things that can happen when it does.
The first version of this post appeared in August of last year, just 15 months ago. (Ironically, Ferguson is only 2 hours from Colombia, MO, home of the University of Missouri. ) Much of that year’s BlogHer had dealt with intersectionality; Ferguson demonstrated how much I didn’t know and how much I could learn from listening to friends of color both on Facebook and on their blogs.
Well – the posts connected to what’s been happening at Yale and U. Missouri illustrate that all the more. I’m going to leave that earlier post but just so it’s clear what I mean, here one from a professor that circulated in the past week.
Listen, I need you to understand what I’m about to say. This is what I taught the students at Morehouse last week.
2015 is not what we thought it was. The deadliest hate crime against Black folk in the past 75 years happened THIS YEAR in Charleston.
More unarmed Black folk have been killed by police THIS YEAR than were lynched in any year since 1923.
Never, in the history of modern America, have we seen Black students in elementary, middle, and high school handcuffed and assaulted by police IN SCHOOL like we have seen this year.
Black students, who pay tuition are leaving the University of Missouri campus right now because of active death threats against their lives.
If you EVER wondered who you would be or what you would do if you lived during the Civil Rights Movement, stop. You are living in that time, RIGHT NOW. Shaun King
One of the bloggers I admire most is Kelly Wickham, who writes Mocha Momma. I “met” her online 7 years ago because she was a reading specialist and, as the parent of a dyslexic child, I was so grateful for the committed, loving, determined way she wrote about her work. I kind of stalked her in comments until we met at BlogHer in 2007. (Actually I also stalked her after that, too, but at least by then she knew who I was.)
She writes, with honesty and rage, about race. About family, and love, and education and whatever else occurs to her, but also about race. I’ve learned a lot from her, including how much I didn’t know. As the years have passed, and more women of color have joined BlogHer and Kelly’s Facebook feed, I’ve learned from others, too. The BlogHer community grew and widened, and with it the gut understanding of the whole community. On our blogs we tell the truth, and the different truths shared by the bloggers who are now a part of my life have been an immeasurable gift.
Of course it is beyond wrong that, in 2014, we still have to seek diversity, to go out of our way to learn lessons we should have learned long ago, and that those most in pain still experience so much that we haven’t figured out how to learn.
The trouble is that there hasn’t been nearly enough intersection between us and those experiencing the harshest emotions that emerge in response to American racism.
I remember once talking with author Vertamae Smart-Grosvenor, who said to me “Don’t you see, we black mothers must be lionesses to protect our sons.” I thought of her statement often as I was raising my own.
I remember a colleague describing to me, when we were both pregnant, her fear of the first time someone called her not-yet-born child a “n*$%#&r” – of what she would say to him, what she would do.
But despite having African-American colleagues and friends, I’m not sure I ever, until these past days, completely heard the depth of anger and despair that lives within so many.
It’s not that I didn’t know; most people I know care about and have seen plenty of racial injustice and have worked, in our own ways, to change it. But that’s different from opening someone else’s door and walking in. It’s on fire in there. And it should be.
Listen to these:
Everyone can’t stand up the moment something pisses the off and we’re all different in how we react. Some people shut down because they don’t even know where to start. Some people just need a nudge to be emboldened to speak. Some people need to know they’re needed before they speak.
Well if you need that nudge, here it is. If you’re afraid because you don’t want to say the wrong thing, push past that fear. Because right now, your silence about the continued devaluation of Black lives is wrong. Your lack of acknowledgement is not ok. If you need tips before speaking out here’s 3: don’t blame the person who was killed. Don’t say you’re color-blind. Acknowledge the racism at play.
Speaking up when it matters is usually when it’s also the hardest. When your voice shakes, that’s when you’re standing in truth. But that’s usually when it is most needed. And when you do it, someone else might be encouraged to do the same. Do not be silent. Awesomely Luvvie
I am outraged but I do not know what to do with my outrage that might be productive, that might move this world forward toward a place where black lives matter, and where black parents no longer need to have “the talk” with their children about how not to be killed by police and where anger over a lifetime of wrongs is not judged, but understood and supported. Roxanne Gay
Black bodies matter. Black bodies matter. Black bodies matter. Say it with me: Black bodies matter. This isn’t a question. This isn’t a euphemism. This isn’t an analogy. This is a fact. Black cis and trans boys, girls, men, and women and non-binary folks, they all matter. Until that fact becomes a universal truth due to the precise liberty and justice the Constitution of this country promises, I won’t stop fighting and neither should you. Jenn M. Jackson
But it wasn’t what I could see and hear as Ferguson residents fled and were pursued into residential areas that gave me chills. It was what I couldn’t see. Because behind the walls of those smoke-shrouded homes were parents comforting their frightened children. I couldn’t see them, but I knew they were there. They could have been me. They could have been my children.Kymberli Barney for Mom 2.0
This is what I need, dear friend.
I need to know that you are not merely worried about this most tragic of worst case scenarios befalling my son; I need to know that you are out there changing the ethos that puts it in place. That you see this as something that unites us as mothers, friends and human beings.
My son needs me, as much as yours needs you. Sadly, my son needs me more. He needs someone to have his back, when it seems that the police, the men he’d wave to with excitement as a little boy, see him as a being worthy only of prison or death.
This is where the story gets tricky. This is where our son paced up and down the stairs—in his under shirt, gym shorts and crew socks—telling us about the police who came to our door and handcuffed our son and pulled him outside. “Why?” It was the only question I could come up with — “why?”
His hands ran over his face and found each other behind his head. I knew this look too. The one of lost words—of previous trauma—of discouragement.
“I don’t know. There’s some robberies in the area? I guess? And they saw me here—I don’t know. They thought it was me. They thought it was me and wouldn’t listen. They didn’t believe me that this was my house.”
He shook his head and looked at me. “It didn’t even matter that I had a key, moms.” Elora Nicole
For each of these there are dozens and dozens more. No more to say.
Ruth Bader Ginsburg is an enormously compelling figure. How do I know this? Authors Irin Carmon and Shana Knizhnik have given us the gift of this book, that’s how. Described by the New York Times as “a cheery curio, as if a scrapbook and the Talmud decided to have a baby,” it is a lively, engrossing, humanizing introduction to a revered figure.
Born in 1933, six years before World War II, she remains, at 82, very much a part of our present, and our future. Hers are the shoulders so many of us stand upon, proud of what we’ve fought for for today’s young women and men, parents and professionals, teachers, truckers and temps — all of it so much less than she faced down and conquered. For all of us.
Beyond the exploration of her remarkable intellect and judicial virtuosity, Carmon reveals the warmth, spirit and personal moments that transform an icon into a person. Her unlikely close friendship not only with Justice Scalia but also with his family, is intriguing, of course. The genuine partnership she shared with her husband Mary for 56 years is a unifying thread through much of the book; the story of his last days one of the most moving.
Of course, threaded through the narrative are the legal and policy changes she championed and often brought from idea to reality — and, in recent years, fought, not always successfully, against the reversal of some of them. From her days at Harvard Law School to those on the O’Connor Court, the impact of her passion and intellect is clear.
So. If you want to have fun and be inspired at the same time, or need a gift for anyone who cares about women, or law and policy, or just loves a great story, this is it. (Full disclosure: I DO know Irin but I never expected to write about the book until I read it. Couldn’t help myself….)
Meet the Forward 50 – fifty Jewish Americans designated worthy of special attention as 2015 draws to a close. That “Forward” in “The Forward 50?” It’s The Jewish Daily Forward. A newspaper founded in 1897 as a Yiddish language publication, it has also published in English for the past 25 years, won a ton of awards, and at one time in the 1920’s had a larger circulation than the New York Times!
Every year, most likely as circulation-building clickbait, the paper publishes a list of fifty Jews who are “deeply, loudly and passionately embedded in some of the most pressing political and social issues in the nation.”
Not so unusual, but I was pleased to see that nearly half (21) were women so I decided see who they are, and they’re pretty interesting and modern.
Two of their “Top 5” are women, one an academic, one a star: Princeton professor and newly minted MacArthur “genius” Marina Rustow – who is also the first Jewish Studies person to receive a MacArthur — and our own beloved Amy Schumer.
Four of the six “Activists” are women: Rachel Sklar and her daughter Ruby, Emma Sulkowitcz who carried a mattress – everywhere – through her last years at Columbia University to protest the school’s inaction in her rape allegations. Ruth Messinger, long-time crusader and organizer, who in the 17 years she spent running the United Jewish Word Service, “created a uniquely Jewish way to promote economic and gender equality in the developed world” and street harassment activist Shoshana Roberts .
In general, this is a varied, original and exciting list. Twenty-one of 50 isn’t perfect but what’s kind of cool is how many of these women are closer to the edge not just of Jewish culture but the culture of the US generally. Which is nice, given the battles going on in some other Jewish institutions.
1950 is the year the first Black student enrolled at the University of Missouri.
“We have to do it on our own, Cindy. You can’t help anymore.” She said it gently, but it was pretty painful. I’d been involved in campus civil rights advocacy since I’d arrived as a freshman in 1964, just a little bit more than a year after the March on Washington. Now it was the fall of 1966 and we were back from summer vacation.
I was early for the first action meeting of the year and ran into my friend Cheryl on the steps. I started to ask about plans for the year and she shook her head — then told me that the Black students on campus had decided to build from within their own community. It was kind of “thanks but no thanks.” I was sad, but not angry – I knew what she was saying and as much as I wanted to be part of what they were doing, I understood their desire to act independently.
That was almost 50 years agoand still students of color are forced to demand respect, rather than assume it. This time, at least, they got it.
My sister Pittsburgher Dr. Goddess sums up: “The Movement we just witnessed was intersectional, humanist, gendered, Black-led and labor-fed. Celebrate the Vision!” #Mizzou
OH – and because we should always seek the wisdom of Dave Zirin in moments like these,, take a look at this thoughtful meditation on racial justice AND the power of student athletes.
Three “good girls” at Newsweek talking with brief hire Nora Ephron, who left her researcher role for “someplace I can write.”
It’s hard to believe, watching now. Even more than Mad Men, Amazon’s Good Girls’ Revolt is all too familiar. The story of the women of Newsweek and their battle for equality in the newsroom, it’s a heartbreaker, and it’s not because of the huge moments of oppression or betrayal, although they are present. (Through some creative reporting, a young researcher discovers what really happened at the 1969 Altamont Festival that “killed the 60’s.” But the rewrite assignment – and the credit – goes to a guy who never left the building. “That’s how we do things here. We have a process. Men are the reporters – you girls are the researchers.”) The researcher on this story loves the thrill of reporting so much she surrenders everything she’s learned, even though she’ll never get credit for it in the office, much less in print.
Sadly, many of us remember; it happened to us.
Implicit, explicit and intractable power all in male hands, all the time, permeates every moment of Good Girls Revolt’s pilot episode. We know where their pending revolution is coming from.
Even more frequent than the “big stuff” were the small assumptions, dismissals, insults and slights that eat away, day by day, at confidence and ambition and hope.
Four women in a hallway conversation greeted by the boss: “Hello, my little coven.”
The Managing Editor sending his best researcher, who keeps her reporter partner (and lover) safe and “his” stories on the cover, for coffee. “Black, two sugars, right?”
“Sweetie,” “honey,” “cutie.”
A husband who “gives his wife a year” to write a novel before moving her to Connecticut to raise babies, but then puts a hole in her diaphragm so she’ll be pregnant before that year ends.
Three guys hungrily ogling a smart, but lovely women as she tries unsuccessfully to make it through the newsroom without incident.
Sadly, many of us remember; it happened to us.
For me it was a very sweet 60 Minutes producer sitting next to a very pregnant me in the newsroom and urging me not to come back to work – to stay home like his wife did. Or the executive who called with sympathy for my miscarriage and told me that, pregnant woman that I’d been, I shouldn’t have been working so hard – as if I was my fault. (His assistant asked me if I’d even wanted the baby at all.)
In addition to newsroom battles, this introductory episode takes us to a “consciousness raising” meeting, led by a pregnant “Eleanor Holmes Norton” and featuring, like a 12-step program, the telling of individual stories of humiliation, discrimination and sexual harassment.
Sadly, many of us remember; it happened to us.
In my own community, oppressive sexual relationships between researcher and producer weren’t frequent, but they weren’t rare, either. They almost never ended well. One correspondent told me at a bureau Christmas party “I’d really love to sleep with you. Really. But I never dip my pen in the company inkwell.” He thought I’d be impressed.
We need this show – and so do our daughters and nieces and sons and nephews and husbands and young friends. Here’s how Buzzfeed’s Ann Helen Peterson ends her piece on the show:
Good Girls Revolt may be about a bunch of accidental revolutionaries. Its politics may be embroidered with melodrama, and romance, and fixation on clothes. But, then again, so is life. And that doesn’t make the show, or the work of the women behind the scenes, any less feminist — or necessary.
As [production designer Jeannine] Oppewall says, “Sometimes I look at my nieces, who don’t quite yet see the amount of work it took for us to pull this off, and I’m like, ‘You better have a look at the past, because if you’re not vigilant, the past can always be your future.’ You gotta babysit it and talk about it and push it and make it seem like this is absolutely the way it should be.”
The Torah says I can’t use my computer on Shabbat, and since I’ve committed to post every day during November, I kind of have to cheat and set this to post on Saturday even though it’s almost Friday night “lights off.” (Observing Shabbat means not using electric devices unless they’re on timers, not lighting a fire and a ton of other things.)
So instead, I simply wish you a little of the peace to be found in quiet contemplation or just plain family time playing Monopoly. Whatever your way of honoring the weekend, enjoy it. I’ll see you tomorrow.
As Shabbat descends, I offer from 2007, notes on how it feels to light Shabbat candles each Friday night.
One of the great gifts of an observant Jewish life is the lighting of Sabbath candles. At a prescribed time each Friday, 18 minutes before sundown, it is the obligation of the Jewish woman to light candles as a symbolic acceptance of the Sabbath upon herself. The prayer is said AFTER you light the candles because once they’re lit, the Sabbath rules – ignite no fire, do no work etc. preclude the lighting of a match.
Here’s how it works: you light the candles, move your hands above the candles three times to bring their warmth toward you, then cover your eyes and say a simple blessing. It’s in Hebrew, but it means .”Blessed are You, Lord, our God, King of the Universe, who sanctifies us with his commandments, and enjoins us to light the candles of Shabbat.” Yes,the words of the prayer are plain; women say them in every corner of the earth – educated or not, every week and have been doing so for thousands of years. Many of us add prayers of our own, for those we love, for peace, for the lifting of burdens, for a better world.
I always take a very deep breath — the kind they taught us when I was quitting smoking — and exhale very slowly, releasing a lot of the stress of the week before I begin. One of my friends told me that when she was in medical school and having babies at the same time, she’d weep, every week, as she felt the burdens fall from her in the glow of the flame.
Makes sense to me. Something about this ritual is transporting. I also love the idea that this is a woman’s privilege. Much has been written about what observant Jewish women are NOT permitted to do – and much of it is true. That’s another conversation. But the impact of this particular duty is profound, beautiful and serene and I am grateful for it. So, as we move toward the close of this day and toward what I have found to be the true peace of the sabbath – I send to you, whatever your faith – a peaceful wish — Shabbat Shalom.
Donald Trump is important. Maybe he’s channeling Huey Long, maybe Lonesome Rhodes, maybe just “the Donald,” but despite his xenophobia and thinly veiled racist take on immigrants, he has spun a new American dream and captured those who have been without one for a long time.
With all that in mind, what does Trump have to do with John Valjean? What did the story mean to Jack Kemp (there’s a new biography ) and Teddy Kennedy (there’s a new book about him, too) both of whom, from opposite parties and ideologies, saw Les Miz multiple times? Can what spoke to them teach or maybe comfort us as we recoil from another bloody revolution in the streets of Paris? Tell me that this* is not what they – and we – are feeling today.
This little boy is now a father, but when he was six, we took him, along with his brother, to see Les Miz. At the end, he dissolved in my lap in tears, a wise child who understood, as so many do, especiallu today, what we may have lost and must struggle to recover? Listen and then, you decide.
