WOMEN – Page 7 – Don't Gel Too Soon

Jewish Women, Feminists, and Esther — Across the Centuries

How can there be a women's story that women are not allowed to tell? Today is Purim – the celebration of the rescue of the Jews from the Persian King Asueras' evil adviser Haman. In a classic (and highly fortunate) intermarriage, she became the favorite wife of the powerful king. Unaware that she's Jewish, he's chosen her from all the maidens of Shushan and fallen for her – hard. The story is intricate but it ends with a bad guy trying to get the King to kill all the Jews (sound familiar?) and the Jewish Queen Esther convincing the King that the bad guy is indeed bad, and thus saving the day.

It's an old story with both sexist and feminist implications but today it emerged with a new life – at least for me. Here's why: it's required that Jews hear the story of Esther, the Megiila Esther, read twice during the holiday. It's read with a melody – a "trope" that's quite lovely. Usually, in observant Judaism, men preside. Prayers and readings are the domain of the male voice. But women are "permitted" to read the Megilla for a gathering of women. It's a act of Jewish feminism. And that's what happened this morning.

I wish I could describe the emotion that arises as one hears the women's voices together, and the single voices, one by one, reading out the story. It's an act of faith, an act of love, really, but it's also an act of community – the community of women coming together to share the story of a feisty queen who overcame fear to save her people.

Of course you would be correct to suggest that the simplest solution would be to choose a branch of Judaism that has made its way past such rules and you'd be correct. But we've chosen, despite the difficulties, to live this life, partly because of the very community that produced this day. And it comes, as a friend reminded me last night, as a package. So there will be moments – many of them – of frustration and anger. Of a sense of deprivation and loss. And the, just when it seems terrible — something lovely happens. Something like today.

Audrey Hepburn, Gregory Peck and Roman Holiday: a Political Lesson? No, Really.

It was a fairy tale about a princess on a journey. Doing her duty, kind of like Diana (but, since she was played by Audrey Hepburn, even classier,) she came to Rome, after Athens, London and Paris, to conclude her mission.

But she was young and beautiful and sick of receptions and parades. And so, in the middle of the night, she snuck out the embassy window and ventured across the Piazza di Spagna and into the Roman night.

If you know this movie at all, you remember with sweet nostalgia the way you felt the first time you saw it. The princess asleep near the Trevi Fountain on the Roman equivalent of a park bench is awakened, like Sleeping Beauty, by reporter Joe Bradley, played by Gregory Peck. ( If the film has a flaw, it’s that we know some of what will happen once we see him there. He’s a good guy and that’s who he plays. He is Atticus Finch, after all.)
The film was released in 1953, right in the middle of the 1950’s. Written by Dalton Trumbo, “Roman Holiday” was credited to a “front” named Ian McLellan Hunter, because Trumbo, blacklisted as a member of the Hollywood Ten, wasn’t permitted to write for movies any longer. It’s one of the darkest chapters in Hollywood history, very much a part of the image of the decade and a sad facet of a beloved film that won three Oscars and introduced the world to Audrey Hepburn.
There’s something else though. The people in this film behave well. There are things that they want, desperately, but there are principals at stake, and they honor them. When Peck meets Hepburn, he doesn’t recognize her but lets her crash at his apartment. Once he figures out who she is, he knows this “runaway” could be the story of his life. Even so, after a brief, idyllic tour of the city, (SPOILER ALERT) she honors her responsibilities and returns to her royal duties, and of course, he never writes the story. It was very much an artifact of the
“Greatest Generation” ideals, manifested with such courage during
WWII and very much the flip side of the jaundiced (and just as accurate) Mad Men view of the 50’s. Duty and honor trump romance and ambition.

Once again, I’m struck with admiration for the people of these times. Yes the 50’s did terrible damage and made it difficult to be eccentric or rebellious or even creative. But films like this one, or Now Voyager and similar films of the 40’s, sentimental as they may be, remind us of what else these people were. They’d lived through the Depression and the war and they had an elevated sense of responsibility. As we watch much of our government (and some of the rest of us) disintegrate into partisanship and self-interest, it makes a lot more sense than it did when we rose up against it all in the 1960’s. Doesn’t it?

Meryl Streep and “It’s Complicated” – As If We Didn’t Know That

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My posts seem to run in bunches. After
two meditations on marriage in the past month, here I am again.

It’s all Meryl Streep’s fault. If you know what it feels like when your kids run off together when you thought you were all going to dinner, or to struggle to remain your own person in a long marriage — whether it ends or it doesn’t, or just to be married for a long time and build a family with a partner – you know this story.

We went with another couple also married 38 years. It’s hard to describe the shared recognition, the warmth we all felt at the familiar moments on the screen – the rare family dinners with our adult children, continuing to learn and grow – together or apart, watching the accomplishments and weddings and occasional rages of each kid, accepting the fact that we’ve entered that part of life where they’re on their own – and so are we. Children grow up and earn their own lives, careers begin to ebb, and those of us who are blessed spend those years with one another. Or, if we must, search for and find someone else to ease the way.

It was all there, gentle, funny, loving and true. Like looking in a mirror. Oh – and lest you wonder whether a movie about a 50-something (or maybe 60) couple recovering from a divorce – in the torrent of high-profile films and stars, it’s in the top five for the holidays. It may be complicated, but loving it isn’t complicated at all.

Ellen Goodman Doesn’t Write there Anymore

As long as I've worked in media, which is a long time, Ellen Goodman's been there too. Her Pulitzer-prize-winning column, originating in the Boston Globe, has been a beacon and a landmark and a treasure.

And now it's ending. No, nobody fired her, she still has a large audience and many adoring readers but she's decided to stop. Here's part of what she said in her valedictory meditation on covering women in America – and I recommend you go read the entire thing:

My generation — WOMEN — thought the movement would advance on two
legs. With one, we'd kick down the doors closed to us. With the other,
we'd walk through, changing society for men and women.

It turned
out that it was easier to kick down the doors than to change society.
It was easier to fit into traditional male life patterns than to change
those patterns. We've had more luck winning the equal right to 70-hour
weeks than we've had selling the equal value of care-giving. We have
yet to solve the problem raised at the outset: Who will take care of
the family?

As a young mother and reporter, it did not occur to
me that my daughter would face the same conflicts of work and family.
Or, on the other hand, that my son-in-law would fully share those
conflicts. I did not expect that over two-thirds of mothers would be in
the work force before we had enough child care or sick pay.

Yes – those things are true. My own sons expect (and one has) wives who keep their names and expect to remain in the workforce. And yes, they still face issues of child care and equal pay and glass ceilings. The sad thing is, they won't have the provocative, inspiring, funny and very gifted voice of Ellen Goodman to cheer them on. Maybe she'll write another book though; if she does, I'll send a copy to each of them.

Oh No! Say It Isn’t So!!

OK I know. The world is ending, the climate is cooking, the economy is crashing and God only knows what else is happening in the "real world." Even so – Twitter and Facebook and all points in between are so so sad. This break up is just not fair. Susan Sarandon and I are the same age and I once spent time with her (well, twice but both times in an elevator in our building where friends of hers lived and we DID talk…) and in some crazy way felt more in common with her than with most shiny people. The politics of course didn't hurt either. And Bob Roberts may be my favorite political movie and so Bush-prophetic.

Because of all that, I too feel a floating sadness – nothing heart=wrenching – just sad. These two have always done what they believed and made us all happy. And they deserve to be happy too. Whatever it takes to get there.

I Don’t Know Why but This Just Makes Me Happy

Planned Parenthood is offering them on pre-order. It's enough to make you move to VA, no?

Thanks to the one and only PunditMom for tweeting this.

Sisters and Aunts and Daughters and Nieces and Holidays

Thanksgiving always makes me think of the people who are missing.
By now that's almost an entire generation: my parents, aunts, uncles
and grandparents. We all came together at our house. As the oldest
cousin, I got to help in the kitchen and set the table. Sounds lame but
it felt very grownup. Not that that lasted for long. Over the years
we went from three to six to nine cousins, producing plays to perform
after dinner, playing Sardines and Murder, telling secrets and wreaking
civilized havoc.

My favorite memory, though, was time with the sisters: my mom and my aunts.
One lived nearby but the other came with her family from Cleveland so
when they were all together they wanted to talk. They'd sit in my
parents' room for ages; they let me hang around too. In a way, all of
us gathered on the bed those afternoons, and later in the kitchen after
dinner, washing dishes, is women passing along stories and traditions, preserving the wisdom of
the tribe.

I had no idea then of the value of those times. It
wasn't just being treated like "one of the girls," it was the sisterly
warmth, the laughter and sudden emotion, eye welling up, when one aunt
spoke of living so far from "home." Now, probably 50 years later, I
can see her leaning against the wall, her sisters looking toward her
with understanding sympathy. I can hear them talking about their
parents, my grandparents, one difficult, both disappointed with their
lives. For a little while, the burden of worry lifted a bit as they
shared it.

They were part of what is literally another world;
hats and gloves, scars from the Depression, government service during
World War II, an abiding sense of appropriateness. Like Betty Draper,
they left careers to stay "home with the kids." Their lives were so
different from ours, constrained and regulated — lives that many
daughters went to work to insure against.

What we forget is
that, even then, there was sisterhood. Maybe it wasn't as powerful and
certainly it wasn't as organized, but for me it still modeled a
solidarity, loyalty and love of the company of women that I still
cherish. And it's so exciting to see us all now, taking that example
along with the many farther afield, to enhance our larger community –
still a family of sisters – from one end of the Internet to – well – to
the whole wide world.

Cross-posted at BlogHer

Does anybody not love Dirty Dancing? At least for the many of us who were the darling Frances “Baby” Houseman, the idealistic, embryonic 60’s activist, Daddy’s girl for her brains, not her looks, the film is a misty, wonderful time capsule. And so, it may be, in essence, a women’s film – so romantic and sexy in a new-at-sex kind of way. But it wouldn’t have worked without the sweet, gifted Patrick Swayze, who died today. Although as Johnny Castle he gave us a young man who tried to present a weary, streetwise persona, he also brought us a man as idealistic as the rich girl who fell for him. The perfect first lover. Swayze, with grace and generosity, was all that and more.

This was a class story and coming-of-age story and a Times They Are A-Changin’ story, evocative in ways that are difficult to express. Baby, like us, was riding the cusp between the 50’s end of the 60’s and the Sixties that were to come. Her relationship with Johnny was the bridge between those times, and so he meant even more than his lovely self. I’ve always thought Swayze underestimated anyway but as I decided to write this I began to realize just how underestimated. Without the right Johnny, Frances would not have mattered.

I, at least, could look at her and know her future. Because it was mine. Like Baby I never hated my parents. Most of what I did that they wouldn’t have liked, I hid. Defiance was never a goal because I loved my parents and they loved me. We just didn’t see things like love and sex the same way so I decided just not to tell them. There were many other things we saw differently too, but they changed their minds because they listened to us as often as we changed ours by listening to them. We respected each other.

So I did all my overnight disappearing on campus and kept my mouth shut about it. And went home as the Cindy they knew — more political and determined, but with no desire to blow up the neighborhood or leave the people I’d loved — and still loved — behind. Like Frances, I responded to the Civil Rights movement and President Kennedy and longed to be part of what was to come. Like Frances I had a “Johnny” though mine didn’t dance.

Of course, Swayze went on to make Ghost, which I think was at least as successful and even more of a fairy tale. He appeared in gritty films like Road House and, as a tribute to his fellow dancers, many of whom died of AIDS, in drag in To Wong Foo, Thanks for Everything, Julie Newmar. And which role we choose to remember most probably depends on gender, and even more on age.

But for me, gratitude for the gift of memory, of the same sense of romance, in a way, that Twilight offers another generation, that’s tough to beat. And the gift, the reminder of the girl I remember and the hopes and dreams she took with her to college, that gift was from Patrick Swayze too.

Category: WOMEN