POLITICS – Page 6 – Don't Gel Too Soon

Robert Altman’s 40-Year-Old “Nashville,” Keith Carradine, Lily Tomlin and a Song

Robert Altman‘s Nashville is a perfect movie. This very sexy song from the film, written and performed by Keith Carradine (currently playing Madame Secretary‘s (CBS) boss, the President of the United States) won the best original song Oscar in 1976.*

He is singing to Lily Tomlin, who plays a white gospel singer with two deaf children; despite her marriage, she is as isolated as the metaphor suggests. Their attraction is clear and heady: as he addresses his performance to her it’s clear they will find a time – just once – to be together. It’s a lovely moment in a harsh story.

The film is political, angry and brilliant. It would be remarkably relevant today; you could say the demagoguery and tea-party-like characters were “ripped from the headlines” if the film weren’t 40 years old. See for yourself; in addition to a wonderful film, you’ll get to see Carradine and Tomlin knock your socks off.

*This iconic 1979 winner from Norma Rae , “It Goes Like It Goes”, never really got the attention it deserved either – and in some ways they’re so similar.

Remember When Claire Underwood Was a Princess?

OK I know this is facile and a little silly maybe, but House of Cards starts Friday and when The Princess Bride theme slid onto my Spotify feed last week, I remembered that Robin Wright, (Princess Buttercup!) is now the notorious Claire Underwood: monstrous friend, cold manipulator and, of course, ruthless First Lady.

Art imitates life, right? This is a great reflection – hugely distorted and grotesque though it is, of what has happened to so many of us — women and men –particularly but not only in public life.

We walk such thin lines most of the time. We flee innocence and dependence in pursuit of ourselves. We watch what appears to be the slow crumbling of every trusted institution. We struggle to learn how to be — and remain, moral, whole adults, able to stand alone, able to love and share, able to support, able to seek and accept help when we need it. And still, we feel – women and men and our country itself – that we’re losing what’s best in us.

Claire has jettisoned most of these qualities, if she ever had them. The conspiracy she shares with her husband has tethered her to his malignant pursuit of power at any cost. Their “arrangement” is beyond toxic; even a desired pregnancy must be sacrificed. What would Princess Buttercup – or even the Dread Pirate Roberts – think of these two?

The Princess Bride was released nearly thirty years ago, in September of 1987. It’s possible that was a nicer time. The 5 top grossing films that year were 1) 3 Men and a Baby (corny/cute), 2) Fatal Attraction (boiled bunnies – not so cute), 3) Beverly Hills Cop 2 (bloodshed and mayhem amid the jokes – also not so cute), 4) Good Morning Vietnam (Robin Williams, war, music, grief and rebelliousness celebrated in the film but not so popular today), and 5) Moonstruck (love, family, fairytale new beginnings.) Also among the top ten were the venal comedy The Secret of My Success (7), Lethal Weapon (see Beverly Hills Cop above) (9) and, perhaps a distant cousin to The Princess Bride, Dirty Dancing (class, romance, first love, politics, music) (10.) Cumulatively not as dark a worldview as in House of Cards, but not all sweet little stories, either. Even so, add Dirty Dancing to The Princess Bride and Moonstruck and 1987 offered us at least three fairy tales. No fairy tales dare show their faces at the Underwood caucus, do they?

Even more interesting are the films IMDB denizens took the time to vote for that year. 1) Full Metal Jacket (more war), 2) Predator (Arnold Schwarzenegger), and, 3)The Princess Bride herself! Behind her, The Untouchables (Costner as Ness), Lethal Weapon (see high grossing: cop comedies), RoboCop (robot – um – cop), and – again – Dirty Dancing. Wrapping up the top ten, Spaceballs (funny space stuff), Wall Street (“Greed — is good.”) and The Running Man. (more Arnold.) Probably Oliver Stone’s Wall Street comes closest to our current Netflix White House.

Last year, when the Underwoods took over the presidency, the highest grossing films, not a fairy tale among them, included six sci-fi/fantasy films including three from Marvel, a witch, a Hobbit and some Transformers. The list concludes with two animations, an American sniper and one Dystopian teen rebellion.

Those garnering the most IMDB votes included eight sci-fi/fantasy films including five from Marvel, an end-of-the-world time/space and time travel adventure and two outer space monster invasions. That list concludes with a fancy old hotel, icky, nasty Gone Girl and … a different Dystopian teen rebellion.

Not altogether sure what all this means except that we’ve lost much of our 1987 capacity to cherish whimsy and gentle humor, Grand Budapest Hotel or not. OH and that we need all that escape these days — really badly. If I were to guess, I’d say what we’re escaping from is a world where, although certainly not in the White House, the Underwoods have taken over, for real.

My Friend Laurie: the Post I Never Wanted to Write

“Inside you someplace” laughed my friend Laurie, “lives a 16-year-old boy!” We were talking about cyber fiction; I was trying to explain my attraction to this geeky, otherworldly material to the only person who would really understand what I was talking about.

I’ve known her since the early 80s, when I produced her appearance on TODAY; she had come to discuss her masterful LA Times Salvadoran death squads series. Our friendship deepened in the years I lived in LA, her long-time home. We were both major Web freaks. After all, both of our minds bounced around like the facts on the Web (often to the confusion of those with whom we were speaking.) We were struggling to, between us, get enough information to understand how this astounding Internet worked. Laurie found The Electronic Cafe, an arts space in Santa Monica that hosted speakers ranging from the EP of The Legend of Zelda to the founder of Earthlink. We were on our way. It was thrilling.

We never stopped talking when we were together – circling around topics, bouncing to other ones then back to the first — or third. We never got lost and were always intoxicated by the messy exchange that was our conversation, sometimes joined by her husband Henry Weinstein and their daughter Elizabeth.

They were, Laurie called it, “a triad.” From the beginning Elizabeth was an active partner in their lives; the “adult” events, the travel, the baseball, the cooking and, lucky for all of us, the time spent with parental pals. The three of them were a beautiful thing.

When she decided high school journalists needed more resources, she founded, from sheer determination (i.e. with hardly any money) Associated Student Press, to help high school reporters learn the rules, skills and sheer joy of journalism. I worked with her on a couple of their events, including a high school journalism convention, and it was so great; the kids loved it. We did too. I knew the depth of her affinity for teenagers because she had become a real friend and mentor, quite independent of us, to our younger son. It was a friendship he treasures to this day. She and Henry came to his wedding.

Laurie Becklund died on February 8th of metastatic breast cancer. She used every reporting skill she’d ever learned to locate experts, treatment and allies and I believe extended her life through her fierce determination. In the past year, she applied that determination to advocacy for people with advanced disease and the need for “big data” tools to aggregate and parse new information and the effect of new treatments to help find trends and flaws in treatments, drugs and drug trials. She also challenged researchers, in talks and in person “We have the cells to help your research. Use us.” She called her campaign Use Us or Lose Us.

(I’m telling you about her post-newspaper years. You can read about Laurie as an award-winning journalist here in this LATimes profile and other stories that will, I’m sure, keep coming.)

On the day she finally told me that her cancer had returned, Laurie sat in my car as we drove out of the driveway and said “Don’t put the sun visor down. I don’t want to waste any chances to look at the trees.” As I struggle to write this post, I think of that afternoon and her hunger for everything from a beautiful view to a cool new technology to visit to a new country to a personal story gleaned from a conversation. She was full of courage and curiosity and loyalty; she was a gifted mother and wife and friend; she was — Laurie.

We are about to leave for Los Angeles for her memorial service. I have been so haunted and sad; it’s very hard to write this. I’m hoping to find some — some something — as we join what I know will be a crowd of people who Laurie, Henry and Elizabeth so generously included in their lives. When I told one friend how sad I was, she wrote “I wish you comfort in your memories.” Yes.

The traditional Jewish version is “May her memory be a blessing.” That it certainly is.

The War on Science? Anti-Vaxxers Trump the Right

We’ve all been ranting about “The Republican War on Science: anti-climate change, anti-evolution, anti-God-knows-what-else: all those conservatives refusing to see what’s in front of them.

Well, my friend Erin Kotecki Vest, whose immune system is seriously compromised, posted on Facebook yesterday from a pharmacy where she’d gone to pick up a prescription. Next to her was a man who had brought with him his son, who has whooping cough! That’s kind of the equivalent of waving a gun at her.

Whooping cough (Pertussis) can usually be prevented through a DPT injection; although this kid’s vaccination status is unclear, the more people who refuse to vaccinate their kids, the less safe the rest of us are. This is not an observation, it’s an epidemiological fact.

Meanwhile, measles is haunting California, from Disneyland to affluent Marin County and other Northern California communities*. And the folks fighting the science? We have met the enemy and they are us: Whole Food progressives who refuse to accept hard evidence that the “vaccines cause autism” research was a fraud.

Imagine how scary this is for those of us in California (which always leads the way for the rest of the country by the way, so don’t write this off as California crazy.) I have three grandsons under four; two of them are under 6 months old. They can’t have MMR (Measles, Mumps, Rubella) immunizations under 12 months. So here we are: Daycare at the gym? Children’s concerts? Family restaurant dinners? Story time at the library? Would you go?

What I want to know is, if it’s wrong to deny the theory of man-made climate change and wrong to deny the theory of evolution – both of which have been repeatedly found to be true by researchers, why is OK to risk the lives of entire communities of kids when the decades of research have proven these vaccines to be safe and reliable? What’s the difference? And which side’s “war on science” is doing the most damage to us and our families — and threatening our children and grandchildren — right now, today?

*The chart above is from the Council on Foreign Relations via the LATimes.

Paris to Strawberry Fields to City Hall: Needing Each Other

It was impossible to watch Sunday’s enormous march through traumatized Paris with any detachment; events that touch us all invariably drive us to gather, so we felt it too. Stating the obvious, certainly, but, as I grow older and my inventory of remembered public sadness grows — JFK, Martin Luther King, Bobby Kennedy, Oklahoma City, 9/11 — it remains remarkable.

I am somewhere in this crowd, gathered for a vigil and moment of silence six days after the assassination of John Lennon. Imagine all the people, living life in peace he wrote. Grief and anger at his loss drew us then, as, so many years later, grief and anger summoned the people of Paris.

I am somewhere in this crowd, too: another Sunday, in 2014, 34 years later. We’re in San Francisco, not Paris, but once more have come together, a continent and an ocean away from the millions in France. We too mourn, and rage, and join together for comfort — but look. Thirty four years later, John Lennon is still present, asking the same questions, demanding, even as we mourn, that we do better.

That’s How I Got to Memphis – Music and the News

Will, Charlie's grandson and Jim sing That's How I Got to Memphis — Will, Charlie’s grandson and Jim sing That’s How I Got to Memphis

Stuck in my head ever since the end of The Newsroom, this song really seems to want to spend today with me, which would be fine if it didn’t make me so sad.

It won’t matter much if you didn’t like the show, or if music doesn’t carry you forward and back or if you don’t mourn the decline of integrity as a core value of journalism, but the use of it at a funeral for Charlie Skinner, (Sam Waterston,) the keeper of the flame, the leader who defended the honor of every journalist and story, is a spectacular metaphor. YouTube won’t let me embed it, but here it is if you have the patience to link, it’s worth it.

Aaron Sorkin says Charlie represented the loss of decency offered by each of us to the rest of us, but for me, as Newsroom closed down, he stood for the rules that made journalism credible and critical to our country*; rules eroded in surrender to commerce and coarseness and fear. Even so, The Newsroom closed with the first moment of yet another day’s show. As Sorkin said, “They’re going to keep doing the news.” It will, though, be with the loss of just a little more of the combination of honor and power, the Charlie Skinner, that had protected them, and us, for so long.

*The Atlantic called it a funeral for “old media” but I’ve lived in “new media” for decades now and the show wasn’t about that change – at least not to me.

Patti Smith, Big Eyes, Mr. Turner and Into the Woods: Women and Art

How do the artists we admire find their way? What do they sacrifice to share their vision with the rest of us? How does it feel? Were they ever satisfied with what they made?

The great Patti Smith answered many of these questions, and more, in her 2010 memoir Just Kids. It was, to me a real gift – a peek behind the curtain that stands between the journey and the outcome. It was a long time before another such revelation turned up. But first, consider this:

“Of course women aren’t as creative as men,” he said. “After all, they create children. They don’t have the same drive to do anything else. How many female composers do you know of?”

That wasn’t some 21st century sexist. That was a professor at Smith, the excellent, committed, women’s college where I spent four years in the late 60s. He was sitting in the “housemother’s parlor” after dinner, speaking with whomever of us had turned up for coffee. I remember thinking “Huh. That’s interesting.” and feeling, at his declaration, not outrage but sadness — and humiliation.

I remembered this moment for the first time in decades as a rash of holiday films raised questions about creativity and art, agency and power, commitment and sacrifice. Into the Woods offered a grim view of women’s lives, where mothers imprison their daughters, daughters abuse their sisters, bakers long to become mothers and deliver their most important lessons after they’re dead, and it’s all the witch’s fault. Steven Sondheim’s beloved musical includes some lovely songs and I went mostly to see Anna Kendrick but still…

No witches but a desperate mother who sells her soul for her art (and, kind of, for love) emerges in Tim Burton’s Big Eyes. It’s the story of American painter Margaret Keane, whose husband Walter stole her art, her talent and her reputation and took them for his own. The cost of continuing to paint and still support herself and her daughter was to surrender the right to take credit for her own work. A woman in the 50’s making art for a living was unthinkable, or so he told her. Her story is a bridge – she owned her creativity but not the product.

Then came Mr. Turner, an exquisite profile of the brilliant JMW Turner, a maker of art, no matter what the cost. The film is a journey through his life as a painter of sea and landscapes and the invincible drive to create images of the beauty he saw. His singular vision, the decisions he made to preserve that vision, his almost Asberger’s detachment from most people and his startling depth of commitment to the two people he truly loved combined in a thrilling consideration of art and love and living with both: a portrait of what is required of any artist, woman or man, to share what they see and feel and understand.

And so we return to Patti. She and Turner are bookends on this shelf. As with Mr. Turner, we learn what she lived and learned and made and what she left behind to do it — a woman slamming through barriers with commitment and with love. An woman’s tale of what must be done – and of a woman expecting, demanding and embracing — as did Turner — all it took to share what she sees with the rest of us.

Did We Thank Title IX on Thanksgiving?

There’s a beautiful breakfast buffet at the hotel we stayed at for Thanksgiving weekend; Wednesday morning was a pretty thin crowd so there was a lot of easy chat from table to table and in the buffet line. Just in front of me at the omelet station was a very tall young woman — around 30 or 35.

“My husband and I together aren’t as tall as you are!” I teased. “Did you hate that in high school?”

“Oh, no” she replied, “I played basketball so I was fine about being tall.”

“WOW – Thank you Title IX” I laughed.

You can guess what came next: she’d never heard of 42-year-old Title IX and had no idea what it was or why it had been so necessary or what would have become of her basketball opportunities without it. Like my most-admired friend Veronica Arreola, we all need to help the girls coming up behind us understand how far we’ve come and how very far we still need to go.

Ferguson, Age, and Loss

Very seldom do I notice my age. But as I have read the outpouring of grief and rage (which I share) over the Michael Brown grand jury verdict, I am deeply aware of the decades I lived before most of these friends, and other writers who are otherwise strangers, were born. Things they learned about, but I lived through.

With deep sadness and disgust, I watched Robert McCullough in his starched white shirt and dark suit with his half-glasses perched on his nose like a college professor and knew what he would say. His endless prologue foretold what was coming with an ego and naked self-interest that was dreadful to see. But it wasn’t a surprise. I expected nothing else.

I remember the murders of James Earl Chaney, Andrew Goodman, and Michael “Mickey” Schwerner,, (see Awesomely Luvvie) of Medgar Evers, Malcolm X, Dr. King, Viola Liuzzo. Brutality, incarceration, death. I remember George Wallace in the school-house door,

and Willie Horton

and the ads that NC Sen. Jesse Helms, in a re-election bid, ran against African-American candidate Harvey Gantt .
I remember scores more for every one of these.

It’s really terrible to witness, and share, the heartbreak described by so many I love. Read this post by Kelly Wickham that expands on that, or this by Rita Arens. Or go back and hit the #ferguson and #blacklivesmatter hashtags one more time if you can bear it. A Greek chorus of agony.

I am by no means connecting this weariness of mine with reasons to stop taking action and writing and reaching out and making noise. No. I’m just thinking about how different it feels when you’ve sat in front of black and white TVs and listened on transistor radios the first times you learned of each desperately painful incident of even the past half century. We know we will keep working, trying. Even so, how hard it is to feel shock or surprise or anything other than a bone-chilling validation of the presence of those ugly creatures of hate and injustice that still hide between the stars and stripes that represent our country.

John Kennedy, Barack Obama, 2 Inaugurations and 2 Generations of Dreamers REDUX

I wrote this piece right before the Obama Inauguration. This, the 51st anniversary of the Kennedy Assassination, seems like a good day to share it again.

I seem to be living in the WayBack Machine this year. Lots of memories of 1968 and even 1963. Now as January 20, 2009 approaches, yet anotherlooms. January 20, certainly, but in 1961.

See that crowd? Somewhere, way in the back, probably at least a block beyond, stand an almost-fifteen-year-old girl and her mother. Fresh off an overnight train from Pittsburgh, having arrived at Union Station in time to watch the Army flame-throwers melt a blizzard’s worth of snowon the streets of the inaugural route, they make their way to their parade seats: in the bleachers, way down near the Treasure Building.

I spent most of 1960 besotted with John Kennedy. And Jackie. And Caroline. And all the other Kennedys who came with them. Most of my lunch money went to bus fare as, after school, I shuttled back and forth “to town” to volunteer in the local JFK headquarters. I even had a scrapbook of clippings about Kennedy and his family.

So. My parents surprised me with these two parade tickets. My mom and I took the overnight train and arrived around dawn Inauguration morning. We couldn’t get into the swearing-in itself, of course, so we went to a bar that served breakfast (at least that’s how I remember it) and watched the speech on their TV, then made our way along the snowy sidewalks to our seats, arriving in time to watch the new president and his wife roll by, to see his Honor Guard, the last time it would be comprised solely of white men (since Kennedy ordered their integrationsoon after,) in time to see the floats and the Cabinet members and the bands and the batons.

It was very cold. We had no thermos, no blankets, nothing extra, and my mom, God bless her, never insisted that we go in for a break, never complained or made me feel anything but thrilled. Which I was. As the parade drew to a close, and the light faded, we stumbled down the bleachers, half-frozen, and walked the few blocks to the White House fence. I stood there, as close to the fence as I am now to my keyboard, and watched our new president enter the White House for the first time as Commander in Chief.

That was half a century ago. I can’t say it feels like yesterday, but it remains a formidable and cherished memory. It was also a defining lesson on how to be a parent; it took enormous love and respect to decide to do this for me. I was such a kid – they could have treated my devotion like a rock star crush; so young, they could have decided I would “appreciate it more” next time. (Of course there was no next time.) Instead, they gave me what really was the lifetime gift of being a part of history. And showed me that my political commitment had value – enough value to merit such an adventure.

Who’s to say if I would have ended up an activist (I did)- and then a journalist (I did) – without those memories. If I would have continued to act within the system rather than try to destroy it. (I did) If I would have been the mom who took kids to Europe, brought them along on news assignments to Inaugurations and royal weddings and green room visits with the Mets (Yup, I did.) I had learned to honor the interests and dreams of my children the way my parents had honored my own. So it’s hard for me to tell parents now to stay home.

My good friend, the wise and gifted PunditMom, advises “those with little children” to skip it, and since strollers and backpacks are banned for security reasons, I’m sure she’s right.* But if you’ve got a dreamer in your house, a young adult who has become a true citizen because of this election, I’d try to come. After all, he’s their guy. What he does will touch their lives far more than it will ours. Being part of this beginning may determine their willingness to accept the tough sacrifices he asks of them – at least that – and probably, also help to build their roles as citizens – as Americans – for the rest of their lives. Oh — and will tell them that, despite curfews and learner’s permits, parental limit-setting and screaming battles, their parents see them as thinking, wise and effective people who will, as our new President promised them, help to change the world.

*I know, I thought of Christina-Taylor Greene as I re-read this too.

This post also appears in PunditMom’s Mothers of Intention: How Women & Social Media Are Revolutionizing Politics in America