Culture – Page 14 – Don't Gel Too Soon

For Ellie Greenwich, Who Really WAS Leader of the Pack, With Thanks

When our kids were little, we used to sing. All the time. And early on, many of the songs they loved were written by this woman: Ellie Greenwich. She was a tough cookie I think. She was also one of the great song writers of her generation. Ever heard Be My Baby? (“Bee my, bee my bay bee, my one and only baybee…”) Chapel of Love? (“Goin’ to the Cha pull and we’re gonna’ get ma a a reed”) River Deep, Mountain High ?(“Do I love you my oh my, river deep, mountain high” that was Tina Turner.) Ever hear of girl groups? Then you’ve heard of Ellie Greenwich. There’s a reason she’s in the Song Writers Hall of Fame. She died August 26, the same day as Senator Kennedy, so I’m a little late, but I have a lot to thank her for.

Freshman year we lived in a dorm with a big porch facing Seelye Hall, the main classroom building. We’d put our stereo speakers in the windows over the porch and blasted whatever we liked at the time, especially in the spring, as the snow melted and spirits rose. One of our classics was “Leader of the Pack.” All of us, the Gang of Four as we were then, could re relied upon, for no reason, to belt out “Hey there, where’d you meet him?” to which another would reply (in song, of course, and I know you know this) “I met him at the candy stoh – ore.” It sounds so silly, doesn’t it? But it wasn’t.

The tribal music Greenwich gave us was alive with the spirit that was all of us, before the War tore everything apart, when we just had fun and our minds were full of ideas and ambitions, and songs, and romantic daydreams, and songs, and learning how to be grown ups (slowly) and songs. And her songs were so universal, so full of a love of living and living for love – way before we even heard of our sister alums Gloria Steinem and Betty Friedan. Somehow, as things became more serious, Doo Wa Diddy Diddy Dum Diddy Doo didn’t flow off the tongue so easily. That’s why I was so glad when a Broadway musical, Leader of the Pack, opened in the 80’s and gave us another chance – and a great cast album, full of many of her greatest songs.

My own favorite is all tangled up in a memory. It was a sunny fall day and my six-year-old and I were walking down a street someplace in the Village. And we were arm-in-arm. And our walk had a rhythm – right feet at the same time, left feet at the same time, just the two of us. And the rhythm? It came because, together, crossing the nearly 30 years between us, together, we were singing –Da Doo Ron Ron.”

Not quite this great, but not bad, either. So thanks Ellie. And the rest of you – see for yourselves.

The Amazing Don Hewitt: CBS News, Conventions, 60 Minutes and Me

You probably saw the 60 Minutes tribute to Don Hewitt last night; I had meant to write about him when he died, got distracted and then, last night, realized I couldn’t not (if you forgive the double negative) recall him a bit. The photo you see here was during the production, I think, of an interview with President Kennedy. It shows him in action, rather than in a cute photo so it’s the one I wanted to use.

I was a kid when I first met Hewitt – 21 and new to the CBS Washington Bureau. It was late 1968 and he’d come down from New York to get everyone excited about his new show, 60 Minutes. That’s right – it’s almost 41 years old. He was introduced to me as “the only producer who could make you proud that you were the only one who’d gotten the recipe for Tricia Nixon’s White House wedding cake.” It was that infectious sense of competition — the joy of it, not the rest of it — that inspired the rest of us. Oh – and it was only later that I learned he had also been the producer of the Kennedy-Nixon presidential debates, the first ever to appear on TV.

Of course he could also drive you crazy – pushing, making last-minute changes, taking forever to finally appoint women as producers (his long-time secretary became one of the best) and, like all people of great energy, sometimes yelling. Really yelling.

I had the most to do with him at the presidential nominating conventions, which used to run “gavel to gavel” – from the moment the convention began until the moment it ended, live on TV. Four “floor correspondents” wandered the convention hall searching for stories. Each, and later each two, had a producer. And these correspondents were the top talent, showcased in the pressure cooker of 8 – 12 hours of live television. Over the years I worked with Roger Mudd, Mike Wallace, Ed Bradley, Leslie Stahl and Dan Rather, among others. No shrinking violets here. And, presiding over them all, in his control room above the floor, was Don. When you had a story to offer you would go to a “floor phone” and call the booth. Someone would take your offer and relay it to Don (sometimes you’d tell him yourself) who would accept or reject it. Remember at the same time he was dealing with Walter Cronkite in the anchor booth and all the live guests who showed up there, remotes” out in the convention city and hometowns of about-to-be nominees and more. For all those hours, he’d make decisions. Sometimes you could argue, but usually you lost. With all the incoming data, he kept things flowing for four days (and evenings.) And he did it all with the same sense of “story telling” that he described as the secret behind the success of 60 Minutes. And it was a blast.

So there you are. Another “legend” gone – and he was a legend who transformed the news business for the better and kept it that way for a long time before commerce made it much harder to sustain the kind of quality he demanded. Except on 60 Minutes, of course.

Last Day in London, for Now, and What Did I Find?

This bench sits along the Thames, on the South Bank, between Waterloo and BlackFriars Bridges. It’s a nice bench. Since we leave London tomorrow I had my last walk along the river today. And it gave me a gift

I walked around it, to sit down and say goodbye to the river, the bridges and London – found this:

It’s been a lovely time. We fly in the morning. See you on the other side.

Back to the Future: Futurism at the Tate and 1968

In the early 20th Century there was a band of wild men who created an entire new way of thinking about “Art.” They were called Futurists and for those of you who took Art 11 and already know about them, I understand that I didn’t discover them – this being particularly true since they are currently appearing in a retrospective at the Tate Modern here in London. AND for my penultimate (I think) post here I want to tell you about them because they were a real kick.

This painting, by Luigi Russolo, is called “The Revolt.” On the right you can see “the people” pushing up against the hard line of the establishment. It’s the same thing the Futurists themselves were doing. Here’s their major “Manifesto.”

These are our final conclusions:

With our enthusiastic adherence to Futurism, we will:

Destroy the cult of the past, the obsession with the ancients, pedantry and academic formalism.
Totally invalidate all kinds of imitation.
Elevate all attempts at originality, however daring, however violent.
Bear bravely and proudly the smear of “madness” with which they try to gag all innovators.
Regard art critics as useless and dangerous.
Rebel against the tyranny of words: “Harmony” and “good taste” and other loose expressions which can be used to destroy the works of Rembrandt, Goya, Rodin…
Sweep the whole field of art clean of all themes and subjects which have been used in the past.
Support and glory in our day-to-day world, a world which is going to be continually and splendidly transformed by victorious Science.

The dead shall be buried in the earth’s deepest bowels! The threshold of the future will be swept free of mummies! Make room for youth, for violence, for daring!

As I wandered through, alone and more available for being by myself, (this one is Carra’s The Funeral of an Anarchist) I felt that I knew these guys. Yes they denigrated women (more on that in a second) but their rebellion, their anger, their passion, their desire to change everything – that was familiar. Of course I never wanted to destroy; none of us did. But the feelings of anger, of disappointment in the ways of the world, the desire to find new ways to say things, those were familiar — and swept me back to the determined, impassioned girl I was then. I can only describe my reaction as delight.

You’re going to tell me that this is the kind of blind passion is just what was wrong with the 60’s. And for those who transformed these feelings not into art but into primitive acts of violence – they were wrong then and they’re wrong now. That’s what is so amazing about art. You can act, and express, through representation instead of concrete acts of violence and hatred. That’s what these enraged men did. Meanwhile, the women artists were pretty angry, as you can imagine. One of them, Valentine de Saint-Point, although she agreed with their ideas, had some of her own to go along with them. Like this:

“Women
are Furies, Amazons, Semiramis, Joans of Arc, Jeanne Hachettes, Judith
and Charlotte Cordays, Cleopatras, and Messalinas: combative women who
fight more ferociously than males, lovers who arouse, destroyers who break down
the weakest and help select through pride or despair, “despair through
which the heart yields its fullest return.”

I wish I knew more because there’s so much more to this; the impact of Cubism on all
of it, the way it affected artists in nation after nation, and, most of all, the sheer energy of
art that, instead of freezing a moment, seems to set it free and follow it.

Hooray for Justice Sotomayor but I’m in London SO Let’s Look at These

You’re going to love Borough Market, right across from the London Bridge Tube Station and just off the Thames.

Amazing olive bread

Do you believe these? Gorgeous! (My favorite picture)

Well,that’s that. Here we go out, take a left and hit the Thames River Walk. It was a lovely day.

Colbert, The Word and Woodstock

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I know, I"m in London and I should stop putting up videos of TV shows. But I love this one. And, it's what we call "timely" since the 15th is the 40th anniversary of .. well watch this and see for yourself.

Paris is a Movable Feast – and We Are Making the Most of It

Ernest Hemingway is pretty passe these days, but in his wonderful memoir of his time in Paris, he wrote something that returns to me every time I’m here “If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a movable feast.” And so it is. Right here it’s going to rain, and the sky is far more grey-blue forbidding than I could get the camera to record, and it’s around 4 PM and we’ve been walking since 10 AM this morning. And we haven’t really done anything – not in the way tourists go into museums and enrich themselves. For us these streets, and the Seine, and the beautiful old buildings and boulevards – well, they’re the richest of all.

It’s pouring rain on the bookstores of Boulevard St. Michel on the Left Bank near the Sorbonne, but that doesn’t stop the book shoppers. Paris is a city of readers, one where great writers have been held as heroes and mourned by the city – and much of the entire nation when they died. There are many restaurants and cafes on the Left Bank, which had been home not only to Hemingway and Fitzgerald and Gertrude Stein and Sylvia Beach but also to Simone de Beauvoir and Jean Paul Sartre and so many others. They are crammed with people all the time – whether it’s the Deux Magots or the Brasserie Lipp or Cafe de Flore because these places have an enormous literary history and those who visit here know that these are the places to visit even if they’ve never read The Second Sex or The Sun Also Rises or even The Great Gatsby.

Or maybe they just know, like these two troubadours, that Paris, when you’re young, (or, hopefully, any other age) is still a gift. So many have already written better words about the indelible impact of this lovely place; I’m really just here to agree with them.

One of the Many Reasons to Love Christopher Wren: St. Paul’s Cathedral

It’s late and I’m tired from a probably too-long walk and probably too much work. So I’ll leave you with this picture of the wonderful St. Paul’s Cathedral, taken from the very center of the Millenium Pedestrian Bridge that crosses the river from the Tate Modern to this old masterpiece and the bustling legal community close by.

Brick Lane in the Real World – Things Have Changed in London

You can see it there – the street name in English and, I think, Bengali – the street brought to life in Monica Ali’s wonderful book. Brick Lane was a sensation, well reviewed on both sides of the Atlantic and beyond, as well it should have been. Reading it, a reader not only felt the feelings, but also heard the voices and smelled the cooking smells of a crowded immigrant neighborhood in London’s East End.Well we went there today, expecting to see the veiled women, street food and crowded food markets that orient us in a neighborhood like the one we lived in as we read Brick Lane. But the book was published six years ago. And Nazneen, her sad husband, lover and daughters have surely moved on.

Gentrification has arrived – as surely as this old shop will soon be transformed into a web-connected, foam and half-caf coffee joint. As we walked the streets today, they were full of cool people in multiple earrings, tight skits, hip tee shirts and modern demeanor, and with the goods to satisfy them. Revealing, low cut short skirted dresses, funky feathered jewelry, pork pie hats and weird purses hung from stalls in side markets and on the Lane itself. Music was bluegrass and Hendrix and newer than that — nothing remotely ethnic. There are lots of curry and other ethnic restaurants but they have wine lists and chic fonts for their menus. And there are liquor stores.

I’m not sure precisely why I’m telling you this except to remind us to be grateful for gifts like this wonderful novel. Things have surely changed here on Brick Lane, but thanks to Monica Ali, her ear, her eyes and, especially, her heart and empathy and imagination, we have a lovely document of life as it was here just a decade ago. This immigrant literature, whether it’s Ali, or Lahiri or Henry Roth or Saul Bellow or Amy Tan or Betty Smith, provides historical scrapbooks as communities shift, or are displaced. So it’s nothing new; it’s just so dramatic to arrive on the Tube at a place so recently real to me and to see it, already, well past the point it lives in in my mind.

Lovely London Day 5

Yes, those are polka dot trees, adding a little color to the South Bank promenade from Waterloo Bridge down toward Parliament. I’m loving these walks although with the Sotomayor hearings (not carried on the BBC, at least in the cable systems in this apartment, (which doesn’t offer CNN either until evening), I feel pretty cut off from home. I’ve chosen just to go with it though. It’s so lovely to work for a while, spend an hour walking along the Thames, then return, take a shower, read Wired while I eat lunch and then work once more, and it’s only five weeks, so I’m just going to enjoy it.

For now, here are a couple of others photos from today’s wanderings.

You know what this is, but it’s fun to stand across the river and see it right before you.

This is a sanctioned skate park with permitted graffiti and it’s right along the river in the showcased, artsy South Bank area. I tried to catch a kid on one of the ramps but I had only my phone and not my camera and it just wasn’t fast enough.

See you tomorrow!