1968 – Page 5 – Don't Gel Too Soon

RePost – Don’t Gel’s Best of 2009: Pete, Bruce, Beyonce and Obama: the Changing of the Guard

There they are: two of the cultural icons of my political life. Pete Seeger, close to 90, peer and colleague of Woody Guthrie, creator of We Shall Overcome and Turn Turn Turn, of Abiyoyo and Sam the Whaler, leader of The Almanac Singers and the Weavers. If there was a civil rights rally or a labor rally or an anti-war rally, he was there.

Beside him, Bruce Springsteen, a modern troubadour whose songs speak for many Americans whose opinions are never sought, whose voices are seldom heard.

As they stood together at the Lincoln Memorial in celebration of the Inauguration of Barack Obama, they represented, to me, all that I had believed and tried to help bring into being. To many, though, they were “the ultimate in subtly old-left populism.” Speaking about the concert early Sunday before it began, I kept talking about Bruce. A younger friend gently suggested that he was probably not the day’s headliner. That would be Beyonce Knowles, she said. I’m sure she’s right.

As one who was present the last time “the torch was passed to a new generation;” as a strongly defined Baby
Boomer, it’s painful to hear anchormen celebrate the fact that “there will never be another Baby Boom President.” It’ s not that I mind the fact of that; it’s just painful that it seems to be something to celebrate. So many of us have tried so to be productive agents of change, have spent our lives working either full or part of the time to see that our country offers more to the least powerful, demands quality education, justice and maybe, even peace. So to hear Joe Scarborough revel in the fact that “16 horrible years of baby boomer presidents is over” really hurts. All my adult life we’ve been tarred by the brush of the least attractive of us while the work of the rest of us went unnoticed. For most campaigns, as I’ve written before, we were the secret weapon of the right.

So as exciting as all this is, especially for one who has supported Obama for so long, it’s also bittersweet because I feel the shadow of the disdain in which so many of us are held. I really don’t know how to respond. If I were to try, it might be by offering some of the words to Si Kahn‘s They All Sang Bread and Roses. It’s better with the music, but it does the job.

They All Sang “Bread and Roses (Si Kahn, 1989,
1991)

The more I
study history,

The more I
seem to find

That in
every generation

There are
times just like that time

When folks
like you and me who thought

That they
were all alone

Within this
honored movement

Found a
home.

And ‘though
each generation fears

That it
will be the last,

Our
presence here is witness

To the
power of the past.

And just as
we have drawn our strength

From those
who now are gone,

Younger
hands will take our work

And carry
on.

Ellen Goodman Doesn’t Write there Anymore

As long as I've worked in media, which is a long time, Ellen Goodman's been there too. Her Pulitzer-prize-winning column, originating in the Boston Globe, has been a beacon and a landmark and a treasure.

And now it's ending. No, nobody fired her, she still has a large audience and many adoring readers but she's decided to stop. Here's part of what she said in her valedictory meditation on covering women in America – and I recommend you go read the entire thing:

My generation — WOMEN — thought the movement would advance on two
legs. With one, we'd kick down the doors closed to us. With the other,
we'd walk through, changing society for men and women.

It turned
out that it was easier to kick down the doors than to change society.
It was easier to fit into traditional male life patterns than to change
those patterns. We've had more luck winning the equal right to 70-hour
weeks than we've had selling the equal value of care-giving. We have
yet to solve the problem raised at the outset: Who will take care of
the family?

As a young mother and reporter, it did not occur to
me that my daughter would face the same conflicts of work and family.
Or, on the other hand, that my son-in-law would fully share those
conflicts. I did not expect that over two-thirds of mothers would be in
the work force before we had enough child care or sick pay.

Yes – those things are true. My own sons expect (and one has) wives who keep their names and expect to remain in the workforce. And yes, they still face issues of child care and equal pay and glass ceilings. The sad thing is, they won't have the provocative, inspiring, funny and very gifted voice of Ellen Goodman to cheer them on. Maybe she'll write another book though; if she does, I'll send a copy to each of them.

Is There a Draft in Here? Should There Be a Draft?

I can't believe I missed it! Yesterday was the 40th anniversary of the first United States draft lottery drawing, Every young man my age and many older and younger waited in front of their TVs with sweaty palms and pounding hearts (I'm not kidding) as the numbers came out of the barrel. And those in this photo were the "old white guys" who did it. The one drawing the number is Republican House Armed Serviced Chairman Alexander Pirnie (R-NY) and the man to his right is the (then) despised Chairman of the Selective Service (the Draft) General Lewis Hershey.

OH and one more thing: just beyond that camera, over to the left, was me. Sitting with a telephone and reading each drawn number to the CBS News studio where the number was then posted on the screen. Each number was a birthday, and the order in which they were drawn determined the likelihood that the men in the list would be drafted and, most likely, go to Vietnam. First birthday drawn – lottery number 1. Last birthday drawn – lottery number 365.

As I read the numbers into the phone, I was reading death warrants. Of men my own age. And I knew it.

Every number, every birthday, could be someone I knew – an old boyfriend, a cousin, someone's brother, a high school classmate, a teacher, another someone's son. The war was real in a way it hadn't been before, even though there had always been a draft. Up until the lottery, college students and graduate students were deferred and so were married men. In fact, there were more than a few weddings to keep boyfriends home.

Many of these rules, which were, after all, based on class since there were so many more white middle class men in college than other groups, were wiped out when the lottery began.

That meant that on a theoretical level, I should have been proud. My country was spreading the risk, spreading the pain – and even if I opposed the war, I knew that others were not being asked to fight it for me and my peers anymore. Those we loved were also at risk. All I felt though was fear, and anger, and despair. Which is probably not a bad way to feel when loved ones are about to be drafted to go fight in a "dirty little war" in Vietnam.

So today, after the President's speech last night, I wonder. We know the military prefers a volunteer military even with all the re-deployments and disruptions. It's building a "military class" in our country of people who know things we don't – won't learn. And they're proud to be there, scared or not. It's effective. But is it fair? Is it even productive, when it insulates so many of us from an imminent sense of loss? When we never have to fear the husband in a wheel chair, the son whose PTSD will not fade and, worst of all, that dreaded knock at the door,

The Vietnam Moratorium, 40 Years Ago Today

It wasn’t that long ago – not really. Thousands of us singing “All we are saying, is give peace a chance” on the Mall in Washington. It all started when Sam Brown, David Hawk, David Mixner, Marge Sklenkar, John Gage and other peace luminaries, many of whom were veterans of the failed McCarthy and Kennedy campaigns, decided to call a “moratorium on the war in Vietnam” and ask everyone to come to Washington to support it. It was a great idea: a kind of strike against the war, but with manners.

And 250,000 came, followed by at least 500,000 exactly a month later, during the November Moratorium that followed. But on this day, a manageable and peaceful crew assembled. My memories of the day are scattered. I worked for CBS News by then and my job was to keep track of the march, marchers and plans for all the peace activity going on in the capital. There was plenty, in a wide spectrum of militancy and affect.

I wish I could describe for you some of the more radical “peace houses” I visited; collectives with tie died cloth covering the windows and mattresses on the floor – working for a much tougher way to oppose the war.

Organizers and participants in this march , though, slept in church basements and the homes of local people who made room for them. Everyone who lived in Washington didn’t have a spare bed or couch – or inch of space on the floor. You know this, but just to remind you, listen to what the BBC says about that time “in context:

American combat troops had been fighting the Communist Viet Cong in Vietnam since 1965.

Some 45,000 Americans had already been killed by the end of 1969. Almost half a million US men and women were deployed in the conflict, and opposition to the war was growing.

The Moratorium for the first time brought out America’s middle class and middle-aged voters, in large numbers. Other demonstrations followed in its wake.

I guess that song is what I remember most – that, and members of the Chicago 7, out on bail as they awaited trial, addressing the crowd and pulling off wigs to show how their jailers had cut off all their hair. For some reason, I can still see that – it felt to me like such a violation. A less than friendly observer asked me later “How did you like what they did to “your friends” huh? They weren’t my friends; I barely knew them, but the question was a punch in the gut. So many things stood for other things then. Long hair on men meant rebellion and outlier.

Anyway, it’s yet another 40 year anniversary and I didn’t feel that I could let it go un-noted.

If you have never heard the Lennon song “Give Peace a Chance” here are John and Yoko singing it with a crew of friends during a peace “bed in” in, I believe, Amsterdam. Happy Anniversary

Happy Mountain Day – and May There Be Many More

When you're nineteen or twenty and living in a college dorm in western Massachusetts life is beautiful. Especially in the morning. There's something about a New England morning that feels like a new beginning. If you're in the country, that's even more true.

So today, when I received my "Happy Mountain Day" message, I found myself hurtling back to those mornings- once a year – when the fall foliage was at its best and mid-terms were coming, when we'd awaken to the sound of bells and know it was Mountain Day. Classes were canceled, box lunches were waiting in the dorm dining rooms, and the day was ours. The idea was that we take our bicycles or the bus or someone's car and go see what a New England autumn was all about.

Smith College was way before its time in many ways: educating women, educating the whole person (maintaining a healthy body AND a healthy mind), advocating for an equal role for all of us. It's no accident that Gloria Steinem and Betty Friedan along with Julia Child, Molly Ivins, Jane Harman, Madeleine l'Engle and hundreds of other remarkable women studied there.

You didn't teach at Smith to get famous or publish best-sellers. University professors got the attention, even though those who taught us were certainly as knowledgeable. Somehow though, people who taught "girls" were considered lesser beings. Of course there were rewards: eager, grateful students who reveled in learning and arguing and growing toward success, students who returned to say thank-you, and a lovely, civilized environment. When we wanted to start an African-American studies curriculum, we just found a professor who was willing to supervise us, and we had one. Faculty members were expected to come to dinner when they were invited, and eat with a table of curious underclasswomen. We spent enormous amounts of time hanging around with professors, and one another, figuring out everything from the meaning of pacifism to the puzzles that were Stan Brakhage films.

As women, we formed a sisterhood that lasts. Meet another "Smithie" and there's a bond – a grateful understanding of what we've shared. I know that happens in lots of schools, but women's colleges have a special understanding – because we made a choice to study with one another in a specific environment that enriched and strengthened us.

And Mountain Day? Well, think about it. Seasons, beauty, nature, a sense of priorities, self-education, fun, friendship. All enhanced by ringing bells, box lunches and the oranges, reds and yellows of a New England fall. Reminding all the ambitious, capable and very busy women who came to and left to remember, as they moved forward, to ring the bell once in a while, go outside and look at the leaves.

So Long Patrick, and Thanks

Does anybody not love Dirty Dancing? At least for the many of us who were the darling Frances “Baby” Houseman, the idealistic, embryonic 60’s activist, Daddy’s girl for her brains, not her looks, the film is a misty, wonderful time capsule. And so, it may be, in essence, a women’s film – so romantic and sexy in a new-at-sex kind of way. But it wouldn’t have worked without the sweet, gifted Patrick Swayze, who died today. Although as Johnny Castle he gave us a young man who tried to present a weary, streetwise persona, he also brought us a man as idealistic as the rich girl who fell for him. The perfect first lover. Swayze, with grace and generosity, was all that and more.

This was a class story and coming-of-age story and a Times They Are A-Changin’ story, evocative in ways that are difficult to express. Baby, like us, was riding the cusp between the 50’s end of the 60’s and the Sixties that were to come. Her relationship with Johnny was the bridge between those times, and so he meant even more than his lovely self. I’ve always thought Swayze underestimated anyway but as I decided to write this I began to realize just how underestimated. Without the right Johnny, Frances would not have mattered.

I, at least, could look at her and know her future. Because it was mine. Like Baby I never hated my parents. Most of what I did that they wouldn’t have liked, I hid. Defiance was never a goal because I loved my parents and they loved me. We just didn’t see things like love and sex the same way so I decided just not to tell them. There were many other things we saw differently too, but they changed their minds because they listened to us as often as we changed ours by listening to them. We respected each other.

So I did all my overnight disappearing on campus and kept my mouth shut about it. And went home as the Cindy they knew — more political and determined, but with no desire to blow up the neighborhood or leave the people I’d loved — and still loved — behind. Like Frances, I responded to the Civil Rights movement and President Kennedy and longed to be part of what was to come. Like Frances I had a “Johnny” though mine didn’t dance.

Of course, Swayze went on to make Ghost, which I think was at least as successful and even more of a fairy tale. He appeared in gritty films like Road House and, as a tribute to his fellow dancers, many of whom died of AIDS, in drag in To Wong Foo, Thanks for Everything, Julie Newmar. And which role we choose to remember most probably depends on gender, and even more on age.

But for me, gratitude for the gift of memory, of the same sense of romance, in a way, that Twilight offers another generation, that’s tough to beat. And the gift, the reminder of the girl I remember and the hopes and dreams she took with her to college, that gift was from Patrick Swayze too.

For Ellie Greenwich, Who Really WAS Leader of the Pack, With Thanks

When our kids were little, we used to sing. All the time. And early on, many of the songs they loved were written by this woman: Ellie Greenwich. She was a tough cookie I think. She was also one of the great song writers of her generation. Ever heard Be My Baby? (“Bee my, bee my bay bee, my one and only baybee…”) Chapel of Love? (“Goin’ to the Cha pull and we’re gonna’ get ma a a reed”) River Deep, Mountain High ?(“Do I love you my oh my, river deep, mountain high” that was Tina Turner.) Ever hear of girl groups? Then you’ve heard of Ellie Greenwich. There’s a reason she’s in the Song Writers Hall of Fame. She died August 26, the same day as Senator Kennedy, so I’m a little late, but I have a lot to thank her for.

Freshman year we lived in a dorm with a big porch facing Seelye Hall, the main classroom building. We’d put our stereo speakers in the windows over the porch and blasted whatever we liked at the time, especially in the spring, as the snow melted and spirits rose. One of our classics was “Leader of the Pack.” All of us, the Gang of Four as we were then, could re relied upon, for no reason, to belt out “Hey there, where’d you meet him?” to which another would reply (in song, of course, and I know you know this) “I met him at the candy stoh – ore.” It sounds so silly, doesn’t it? But it wasn’t.

The tribal music Greenwich gave us was alive with the spirit that was all of us, before the War tore everything apart, when we just had fun and our minds were full of ideas and ambitions, and songs, and romantic daydreams, and songs, and learning how to be grown ups (slowly) and songs. And her songs were so universal, so full of a love of living and living for love – way before we even heard of our sister alums Gloria Steinem and Betty Friedan. Somehow, as things became more serious, Doo Wa Diddy Diddy Dum Diddy Doo didn’t flow off the tongue so easily. That’s why I was so glad when a Broadway musical, Leader of the Pack, opened in the 80’s and gave us another chance – and a great cast album, full of many of her greatest songs.

My own favorite is all tangled up in a memory. It was a sunny fall day and my six-year-old and I were walking down a street someplace in the Village. And we were arm-in-arm. And our walk had a rhythm – right feet at the same time, left feet at the same time, just the two of us. And the rhythm? It came because, together, crossing the nearly 30 years between us, together, we were singing –Da Doo Ron Ron.”

Not quite this great, but not bad, either. So thanks Ellie. And the rest of you – see for yourselves.

Back to the Future: Futurism at the Tate and 1968

In the early 20th Century there was a band of wild men who created an entire new way of thinking about “Art.” They were called Futurists and for those of you who took Art 11 and already know about them, I understand that I didn’t discover them – this being particularly true since they are currently appearing in a retrospective at the Tate Modern here in London. AND for my penultimate (I think) post here I want to tell you about them because they were a real kick.

This painting, by Luigi Russolo, is called “The Revolt.” On the right you can see “the people” pushing up against the hard line of the establishment. It’s the same thing the Futurists themselves were doing. Here’s their major “Manifesto.”

These are our final conclusions:

With our enthusiastic adherence to Futurism, we will:

Destroy the cult of the past, the obsession with the ancients, pedantry and academic formalism.
Totally invalidate all kinds of imitation.
Elevate all attempts at originality, however daring, however violent.
Bear bravely and proudly the smear of “madness” with which they try to gag all innovators.
Regard art critics as useless and dangerous.
Rebel against the tyranny of words: “Harmony” and “good taste” and other loose expressions which can be used to destroy the works of Rembrandt, Goya, Rodin…
Sweep the whole field of art clean of all themes and subjects which have been used in the past.
Support and glory in our day-to-day world, a world which is going to be continually and splendidly transformed by victorious Science.

The dead shall be buried in the earth’s deepest bowels! The threshold of the future will be swept free of mummies! Make room for youth, for violence, for daring!

As I wandered through, alone and more available for being by myself, (this one is Carra’s The Funeral of an Anarchist) I felt that I knew these guys. Yes they denigrated women (more on that in a second) but their rebellion, their anger, their passion, their desire to change everything – that was familiar. Of course I never wanted to destroy; none of us did. But the feelings of anger, of disappointment in the ways of the world, the desire to find new ways to say things, those were familiar — and swept me back to the determined, impassioned girl I was then. I can only describe my reaction as delight.

You’re going to tell me that this is the kind of blind passion is just what was wrong with the 60’s. And for those who transformed these feelings not into art but into primitive acts of violence – they were wrong then and they’re wrong now. That’s what is so amazing about art. You can act, and express, through representation instead of concrete acts of violence and hatred. That’s what these enraged men did. Meanwhile, the women artists were pretty angry, as you can imagine. One of them, Valentine de Saint-Point, although she agreed with their ideas, had some of her own to go along with them. Like this:

“Women
are Furies, Amazons, Semiramis, Joans of Arc, Jeanne Hachettes, Judith
and Charlotte Cordays, Cleopatras, and Messalinas: combative women who
fight more ferociously than males, lovers who arouse, destroyers who break down
the weakest and help select through pride or despair, “despair through
which the heart yields its fullest return.”

I wish I knew more because there’s so much more to this; the impact of Cubism on all
of it, the way it affected artists in nation after nation, and, most of all, the sheer energy of
art that, instead of freezing a moment, seems to set it free and follow it.

Colbert, The Word and Woodstock

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I know, I"m in London and I should stop putting up videos of TV shows. But I love this one. And, it's what we call "timely" since the 15th is the 40th anniversary of .. well watch this and see for yourself.

We’re Here – London Is Home for a While

Just in case you wondered if we were really here, I took this photo. Kind of weird to see phone booths all over London since they’re almost completely gone at home. Hardly profound but there you are.

It’s been an exciting, exhausting day. We landed at around nine this morning, moved into our flat on Broad Court just off Drury Lane and near Covent Garden, and did our usual forced march to check out the neighborhood. Lunch, a quick nap and now we’ve returned so I can write this before I go offline for Shabbat.

Oh – and if you’re like me, one of your favorite memories of Covent Garden aren’t even of the “real” one. Take a look. See you Sunday.