My hands were shaking as I left the theater. Obvious Child is not traumatic, exactly, it’s just so real. There’s even a line about “old men in black robes.” You already know the story. What you don’t know — can’t know — until you see the film is that the story is just a frame upon which to hang a remarkable set of truths, some painful, some still painfully true, some funny and touching and surprising.
At first I wasn’t even sure I liked our heroine, Donna. She was careless and immature (but also lovable and self-deprecating) and — funny. Of course in some ways she had to be. These circumstances can’t be picture-book or the movie is propaganda instead of the affecting work of filmmaking that it is.
I am closer to her parents’ age than to hers, so the role that they, particularly her mother (SPOILER ALERT) played was especially moving, as she told her “kitchen table abortion” story and, when it counted, flattened the wall that had kept mother and daughter apart for so long. It was a stark reminder not only of the realities that all women share, but also of what women my age knew to be true when we were young: termination of an unintended pregnancy was a risk to our lives. A risk many of us fear has returned.
Right now, today, we face assaults on all sides: contraception, equal pay, voting rights, civil rights and of course, abortion. The quiet, sometimes funny, sometimes incredibly sad, journey through this film evokes grief over the threats we know are emerging with more and more power. It’s one woman’s story from one wild night to shock to truly loving families and friends who can’t quite compensate for the crisis to the inevitably sad, lonely moment as the procedure unfolds to the life that lies ahead.
The difference, the reason Obvious Child is so much more than “that abortion movie” is that it offers characters we come to love, a crisis we all recognize, a family clearly a product of the open child rearing that many of us chose over the stratified parenting we experienced as well as loving, truth-telling, strong friends and fully-developed principal characters with depth and, under all that irreverent Millennial camouflage, deep sensitivity and honor.
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Cynthia Samuels
Cynthia Samuels is a long-time blogger, writer, producer and Managing Editor. She has an extensive background online, on television and in print, with particular experience developing content for women, parents and families.
For the past nine years, that experience has been largely with bloggers, twitter and other social media, most recently at Care2's Causes Channels, which serve 20 million members (13 million when she joined) and cover 16 subject areas. In her three years at Care2 monthly page views grew tenfold, from 450,000 to 4 million.
She has been part a member of BlogHer since 2006 years and has spoken at several BlogHer conferences. Among her many other speaking appearances is Politics Online, Fem 2.0 Conference and several other Internet gatherings.
She’s also run blogger outreach for clients ranging from EchoDitto to To the Contrary. Earlier, she spent nearly four years with iVillage, the leading Internet site for women; her assignments included the design and supervision of the hugely popular Education Central, a sub-site of Parent Soup that was a soup-to-nuts parent toolkit on K-12 education, designed to support parents as advocates and supporters of their school-age kids. She also served as the iVillage partner for America Links Up, a major corporate Internet safety initiative for parents, ran Click! – the computer channel - and had a long stint as iVillage's Washington editor. In addition, she has developed parent content for Jim Henson Interactive and served as Children’s Book Editor for both Amazon.com and Barnes and Noble.com.
Before moving online, she had a long and distinguished career as a broadcast journalist, as senior national editor of National Public Radio, political and planning producer of NBC's Today Show (whose audience is 75% women) where she worked for nine years (and was also the primary producer on issues relating to child care, education, learning disabilities and child development), and as the first executive producer of Channel One, a daily news broadcast seen in 12,000 U.S. high schools. She has published a children’s book: It’s A Free Country, a Young Person’s Guide to Politics and Elections (Atheneum, 1988) and numerous children’s book reviews in the New York Times Book Review and Washington Post Book World.
A creator of online content since 1994, Samuels is a partner at The Cobblestone Team, LLC, is married to a doctor and recent law school graduate and has two grown sons who make video games, two amazing daughters-in-law and three adorable grandsons.
View all posts by Cynthia Samuels
My hands were shaking as I left the theater. Obvious Child is not traumatic, exactly, it’s just so real. There’s even a line about “old men in black robes.” You already know the story. What you don’t know — can’t know — until you see the film is that the story is just a frame upon which to hang a remarkable set of truths, some painful, some still painfully true, some funny and touching and surprising.